Showing posts with label extraordinary story. Show all posts
Showing posts with label extraordinary story. Show all posts

Friday, January 21, 2011

Something to think on: "The exciting absence of certainty"

Gyroscope balancing on string
Another turning point ... this is a golden age of error. Photograph: Paul Hardy/Corbis



"The exciting absence of certainty" is a post from Jonathan Jones on At Blog - Art critic with the UK's Guardian. Its a concise comment for the curious who might from time to time ponder String theory or other contemporary fields of scientific thought.
In fact... worthy of sharing for the seeds of thought it ponders on a number of matters in contemporary life. Take a look:

January 20th he writes:


I recently read a book called The Trouble With Physics, by physicist Lee Smolin. I was also reading The Elegant Universe by Brian Greene. No need to worry – this is not one of those blogs where I sound off about a subject like string theory from my unique perspective as an art critic, and enraged string theorists line up to put me right. My theme today is not science but certainty, and the exciting absence of it in our world.
Smolin questions the most ambitious contemporary theories in science. Greene is a champion of those same "string" theories. It looks as if the state of physics is at an interesting point, if it is simultaneously close to the definitive grand theory of everything and – claims Smolin – simultaneously at the edge of an abyss of unknowing.
Which makes it a good image of these times. Ours is essentially a tragic age, wrote DH Lawrence in the early 20th century, so we refuse to take it tragically. Of the early 21st century one might say: ours is essentially an ambiguous age, so we refuse to take it ambiguously.
To look around the world today is to see conflicting certainties everywhere, from the bitter American political discourse blamed by somefor the Tuscon shootings to ... Well, to right here, right now, where online argument sometimes – though far from always – seems like an unwinnable contest between different positions.
In reality, the virtue of blogs and the comments they attract lies in the diversity of opinion in itself: so does the value of democracy. This is surely obvious, yet we do not say it often. It seems it is very difficult to acknowledge that (a) we may be wrong, and (b) the most valuable quality of our culture is the right to be wrong, loudly.
The Russian cultural theorist Mikhail Bakhtin was brave enough to praise the mess of reality. He espoused dialogue and multiplicity of viewpoint – a "carnivalesque" freedom – as a value in art and life. He wrote in an age when physicists were discovering some perturbing things about the universe, such as the fact that electrons can be in two places at once.
Debate has never been so popular, online and even in the flesh. We may disagree passionately, but what we need to recognise is that it is the free flow of opinion and contradiction that is the cultural achievement. Certainties abound, but they die on the rocks of doubt. Let's be glad that we live in the golden age of error.

"the free flow of opinion and contradiction that is the cultural achievement"
That I think is a good thought for the day.

elastica:

(via thiswillhurt)
posted at seed capsules - my new tumblr site


ontheborderland:

Found poem by Mary Ruefle (1952- ) from A Little White Shadow.  Ruefle used white-out to selectively erase words from a work originally published in 1889.
(Image via Poetry Foundation)
read more here.



whitehotel:

Jason Karolak, Untitled (2010)
Jason Karolak - read more here.



click here





Art does not lie down on the bed that was made for it; it runs away as soon as one says its name; it loves to be incognito. Its best moments are when it forgets what it is called.
Jean Dubuffet
(via ilobanna)



kleidersachen:

Edgar Mosa, Di Indigetes via apparat
read more here



artspotting:

Marian Bijlenga, Untitled (by upload)
Marian Bijlenga - read more here.





andren:

via www.buamai.com
andren - read more here


so... ambiguity... all these images are posted at seed capsules - my new tumblr blog.

fullbloom:

M
read more here.

On a more personal note.... have been flat out doing a major overhaul of office/studio and living spaces.
Why have I got warranties saved from things that are 25 yrs old and and I no longer own? And and account book from an art-related business I had from 17 years ago? Some of these things I saved from a house fire, endless relocations ... you name it. 
So out with the old and in with the space.
love this quote 
Small rooms or dwellings discipline the mind, large ones weaken it.
Leonardo da Vinci, from Journals, p. 509. (via aubade)


It happens that I presently live in postage-size rooms ... so of course I love this quote. OK ...postage size is an exaggeration.  But there's cerrtainly no room for all the things Ive saved so a radical attempt at decluttering is ongoing till I achieve  a feeling of knowing what exists in every nook and cranny of my abode.
and before I go check out this wonderful story... started by a blogger... with a friend on board and social media thrown in to the mix...
2 days ago I signed on to Baked Relief to offer some help. Started by Danielle Crismani of 
DIGELLA EMPORIUM
ASPIRING MARTHA STEWART STYLE DOMESTIC GODDESS' {WITHOUT THE JAIL SENTENCE}

Danielle, or Digella...yes she's a big fan, decided to bake some cupcakes for volunteers working to sandbag the area near her home before the river rose to flood the city. She blogged about it, and then others came forward offering help. 10 days or so  later she thinks maybe a thousand people are baking and delivering food... plus they started an initiative for people to volunteer to feed a family once a week for months to come. Through twitter, blogging, facebook etc...its created waves of response...and they keep noticing suburbs further out that have been ignored... then finding people to go there with food.... and other things. There is nothing like grass-roots.... and not  waiting for authorities "to do something"! 
Read more by Mel Kettle, the other organsational whiz, on  baked relief  and how this initiative spread like wildfire across Brisbane and beyond. 

Baked relief volunteers going to recovery sites with lunch.

from bakedrelief.org:
Lockyer Feed-a-thon
I took down contacts for the project and will touch base with them in the coming weeks once the roads are open and we can get their safely.
In short, the Lockyer Feed-a-thon project will provide ongoing support to Esk area and Lockyer valley by way of home cooked meals.  With the ongoing support of chefs in commercial kitchens, Baked Relief volunteers and chefs will be cooking and safely storing meals for transportation in refrigerated trucks out to these areas.
For as long as we have finances and for as long as I can run this project I will continue to manage this work. I am hoping for at least 6 months.
Providing a meal to a family affected by floods might not seem like enough, but it shows that we care and it gives them a night off from cooking.
As I always say “Food always tastes better when someone else cooks it”
If you would like to be involved in this project or our other project supporting the Metro areas called Adopt a Family, please go to the website and follow the links.
Some interesting posts I thought you might like
Remember go to website HERE


Ive been emailing another volunteer called Lisa who I've never met - she and I are making lunch for a volunteer spot on sunday. We'll meet at the delivery site. Somehow I think a lot of connections are being forged at the otherwise very difficult time for many ... some amazing volunteer efforts are going on daily... and so much creativitiy. I read of Fisher and Paykel - washing machine manufacturers yesterday setting up temporary washing machine units for the flood affected to wash all their things.
All I hope is that the initiative and involvement thats kicked off here is something we see more of well into the future... So many people said they could not watch any more TV ... they had to go do something.
Well... here's to life beyond TV!
cheers all,
Sophie x


Thursday, October 21, 2010

TED Prize - Wishes big enough to change the world


JR : Winner of the 2011 TED PRIZE - the title above is TED's slogan.

This story from the TED blog today just grabbed my attention ...with good reason if you wish to read on! Click on the link above to see the excellent TED video and read more!

Reached by telephone on Wednesday morning on a bus in Shanghai, where he was headed to work on a largely unauthorized photo-pasting project to draw attention to the city’s demolition of historic neighborhoods, J R said that he had learned of the prize only two weeks ago and that he had not yet had time to think of a wish.
But he said that it would undoubtedly involve his kind of guerrilla art, which he has been creating with the help of volunteers in slums in Brazil, Cambodia and Kenya — where the outsize photographs, printed on waterproof vinyl, doubled as new roofs for ramshackle houses. “I’m kind of stunned,” he said of the prize. “I’ve never applied for an award in my life and didn’t know that somebody had nominated me for this.”
Randy Kennedy of the New York Times got an interview with JR, winner of the 2011 TED Prize, for the TimesFrom the story:

I have rather quickly posted these images and links ... I realised I'd been looking at his work here and there for a while ... this was the first time the story came together for me. You're possibly better informed about this artist that I was ...his story seemed well worth sharing ... just in case!























  • WOMEN - project. After his first visit in 2007 JR comes back in the slum of Kibera in Nairobi (Kenya). He set up 2000 vinyl square meters on the rooftops figuring the portraits of the women who are living in. He pastes also a whol train with eyes to create an anamorphosis with the faces set ont the railway slope through the slum - january 2009

  • WOMEN - project. JR comes back in Cambodia (Phnom Penh) and in India (New-Delhi and Jaïpur) for pasting actions in the streets. In Jaïpur he pastes huge white and sticky stencils to catch the dust and the colors within the context of Holi fest. Then eyes and gazes are reaveled - march 2009

  • WOMEN - Rio di Janeiro exhibition. 4 video installations in the Casa França Brasil, including the China House one unbuild the past year in the Morro da Providência. Pastings on the Arcos de Lapa, the teatro Joao Caetano and the Salla Cecilia Mireiles. Free exhibition from the april 24th to the june 21st 2009

  • WOMEN - project. JR launches the "Casa Amarela" Cultural Center in the Morro da Providência who set up with the community. A photo exhibition by the kidz is presented. - april 2009

  • ARLES, Rencontres de la Photographie - participation to the symposium the tuesday 07 july at 12.00 am. Theme : JR and the Participativ Art. http://www.rencontres-arles.com/A09/C.aspx?VP3=CMS&ID=A09P806


  • Text: website - http://jr-art.net/





    Text here from jr-art.net

    JR owns the biggest art gallery in the world. He exhibits freely in the streets of the world, catching the attention of people who are 
    not the museum visitors. His work mixes Art and Act, talks about commitment, freedom, identity and limit.
    After he found a camera in the Paris subway, he did a tour of European Street Art, tracking the people who communicate messages 
    via the walls. Then, he started to work on the vertical limits, watching the people and the passage of life from the forbidden undergrounds 
    and roofs of the capital.
    In 2006, he achieved Portrait of a generation, portraits of the suburban "thugs" that he posted, in huge formats, in the bourgeois districts 
    of Paris. This illegal project became "official" when the Paris City Hall wrapped its building with JR's photos.
    In 2007, with Marco, he did Face 2 Face, the biggest illegal photo exhibition ever. JR posted huge portraits of Israelis and Palestinians 
    face to face in eight Palestinian and Israeli cities, and on the both sides of the Security fence / Separation wall. The experts said it would 
    be impossible. Still, he did it.
    In 2008, he embarked for a long international trip for "Women", a project in which he underlines the dignity of women who are often the 
    targets of conflicts. Of course, it didn't change the world, but sometimes a single laugher in an unexpected place makes you dream that 
    it could.
    JR creates "Pervasive Art" that spreads uninvited on the buildings of the slums around Paris, on the walls in the Middle-East, on the 
    broken bridges in Africa or the favelas in Brazil. People who often live with the bare minimum discover something absolutely unnecessary.
     And they don't just see it, they make it. Some elderly women become models for a day; some kids turn artists for a week. In that Art 
    scene, there is no stage to separate the actors from the spectators.
    After these local exhibitions, the images are transported to London, New York, Berlin or Amsterdam where people interpret them in the
     light of their own personal experience.
    As he remains anonymous and doesn't explain his huge full frame portraits of people making faces, JR leaves the space empty for an 
    encounter between the subject/protagonist and the passer-by/interpreter.
    This is what JR is working on. Raising questions...
    JR currently works on 2 new projects: Wrinkles of the City which questions the memory of a city and its inhabitants and Unframed, 
    which reinterprets in huge formats photos from important photographers taken from the archives of museums.










    jr










    Wednesday, February 3, 2010

    look who's been visiting Wellington...






    The City Art gallery in Wellington is showing the work of Japanese artist Yayoi Kusama. This I discovered when crossing the civic square and coming across the large Gallery building covered in spots.
    Go to the artists website for a look at her extraordinary life's work. The images featuring yellow and black were part of the touring exhibition which I got to see. The image of the artist with horse comes from a happening staged near New York going back to her early career. her website is well worth a look if you find this artist' story compelling as I do. 
    One of the rooms was filled with large drawings in black on white. This was a fascinating body of work I should like to have posted here as well.

    Monday, December 14, 2009

    A recent find and another recently rediscovered




    UPDATED POST: 10.9 13:

    Just found all the images by artist E J Hauser I'd posted were missing so have deleted links I'm sorry.

    EJHauser is a painter whose work I came across through Dear Ada tonight from a post on Dec 8, 09. Dear Ada consistently provides interesting leads which can be pursued in order to discover more on the artist featured. EJHauser will have a new website it looks like - it would be great to glean more of this artist's work and background.

    Now for something worlds apart that I wanted to share before i forgot!


    I happened to watch an ABC TV documentary on Australian artist  Elizabeth Durack just last week.  Born 1915 she lived to 2000 and spent formative years in the western Australian Kimberley landscape in a lively family with pioneering grandfather Patrick Durack immortalised in her sister Mary Durack's book 'Kings in Grass Castles'. Her sensibility was described as part australian, irish and aboriginal. Certainly her childhood was unusual for the times given the close interactions of daily life with the indigenous people who were part of their lives. She and her sister Mary wrote and illustrated books from early times together. The documentary honors the sweep of this remarkable woman's life - someone who found herself going where others didn't. Below are some works from an excellent website set up quite recently providing a glimpse of the panorama that was her life!


    Mt Bagara, an active volcano, and up the road to the mine.






    War and peace  1947, painted when Durack was based at Ivanhoe station , East Kimberley, WA





    No images available at this time of the Eddie Burrup paintings. Please Note... the website for this artist is presently unavailable _ Sophie: noted January 2010!

    John McDonald art critic for the Sydney Morning Herald wrote in 1997 that "her Eddie Burrup paintings represent an extraordinary creative leap for an artist in the twilight of her career...they sum up a lifetime's experience with Aboriginal people and have been made with consummate skill...they may yet be accepted as some of Elizabeth Durack's most important and original works".
    Despite the fact she was the centre of great controversy over the identity of the Eddie Burrup works it would be a grave mistake to overlook her enormous legacy to the cultural heritage of Australia - long before it was fashionable she was challenging perceptions of this land and its people. A great overview on her website is well worth a look!



    Monday, November 9, 2009

    today is a day for surprises


    Today was one of those quiet blissful days where the rain we needed was softly drizzling down, a cool breeze was blowing and things were getting attended to slowly but surely. I suddenly found myself thinking of two different friends from when I lived in London 21 years ago! I'd never managed to get back to London and lost touch ages ago! Why had I never googled them I wondered? No time like the present. 
    Sabrina I found had studied Textiles at Goldsmiths in London in the mid 90's. That was exciting...but then I could not find more! Much disappointment! maybe she moved back to Italy?
    My friend Joy however has been a busy, busy person (which does not surprise me!) - she was a very talented and wonderful person when we met in a queue in Venice in 87 looking for somewhere to stay. I seem to remember we ended up taking the offer of accomodation at a Nunnery(as you do in Venice over summer!) and of we course got talking in the process.
    Joy lived in London and I ended up there for another winter working till I returned to OZ in 88, so we used to meet up and I got to know a few people in her life and she in mine. I even spent some time doing photography at a place where Joy worked at the time. She was a brilliant photographer and I decided best to stick to my coloured pencils! I think Joy met half my family who drifted over to London over the next few years. So...really it is sad to have lost touch. 
    BUT just awhile ago tonight... she answered my email...and was so happy as she HAD thought to google at different times and could never find any one of us! It was her birthday Saturday...so Joy, even though we have not been in touch for 21 years  
    H A P P Y   B I R T H D A Y   F O R  S A T U R D A Y !

    Now for an important aside. if you're wondering where I found this amazing layer cake that i took the liberty of adding the greeting to for this post it was made by architect Debi Van Zyl who lives in Los Angeles, is multi-talented. and happens to have a wonderful blog. Below is an image of the cake in the stage prior to its ultimate architectural realisation. Frankly I'm in awe...I had a terrible difficult time with a 3 layer chocolate cake a few years ago that was saved from a severe crash to the floor by a clever guest with quick reflexes - much to the delight of grateful onlookers keen to try a piece. NB the sophisticated palette!
    Another reason to mention Debi is that she found the wonderful string gardens below that i posted on a couple of weeks ago.







    Anyway, back to the story of Joy. She has a website I would like to share and I love this photo below too. This is a lovely way for this mellow, rainy old day to come to a close! It was so wonderful to have that email message returned. When Joy said it was her birthday 2 days ago so that made it seem extra special...I had to post something here...now...to mark this occasion! 21 years... amazing!
    Uncertainty

    Wednesday, October 28, 2009

    Art arrived here with science by tagging along...































































    Images: top 2 taken by Norwegian sailor Oyvind Tangen on a research ship 66o miles north of the Antarctic... found at Inhabitat  this month. Inhabit.com is a weblog devoted to the future of design, tracking the innovations in technology, practices and materials that are pushing architecture and home design towards a smarter and more sustainable future -well worth a look!


    The 3 Images below were taken by Steve Nicol - found on the Australian Antarctic Divison website . For the curious click on the website's Arts Fellowship  program to view websites of participating artists like Stephen Eastaugh where you can read his Intransit  archive of journeys to Antarctica and beyond.


    I have borrowed words for the title of this post from the 2009 Intransit journal entry where Eastaugh  discusses his experience of being in this location in the role of artist. Science he suggests is the main reason people come to this continent...art tags along...mostly in the form of photography.
    I was interested to read here there is a recently published Antarctic English dictionary formed from science, acronyms, slang, Inuit and other borrowed words...all required to describe this icy continent.











    Thursday, August 13, 2009

    Undercover Painter on Ian Fairweather

    Recently I viewed an excellent documentary film on ABC  TV (Australia) called Fairweather Man which I was reminded of tonight when reading a compellingly well written post dated August 4th by Undercover Painter.  Do take a look! I hope to find a DVD of this film and watch it again sometime soon. Thanks for the inspiration Undercover Painter!

    On loan … Carousel by Ian Fairweather, owned by the Landau family.

    Carousel by Ian Fairweather -I didn't find a date with this work...perhaps an earlier painting.

    House by the Sea   Ian Fairweather  1968 from his later mature work.

    Monday, August 10, 2009

    John Wolseley







































    John Wolseley













    Last night I watched a CD recording of the 1st epsiode of 'Painting Australia', a 6 part art series produced by ABC TV about 3 years ago.  John Wolseley was invited on location as the Master Artist interacting with 3 emerging artists -which was filmed in the bush near Bendigo in Victoria- for 2 days of solid artistic production with John as their tutor. To begin to appreciate this artist refer to his website He comes across as generous, engaging and someone who doesn't take himself too seriously. Travel to places both remote and tough going are par for the course. The breadth of his body of work and subject matter is inspiring and well worth further investigation.



    The artist at work in the desert.
    Top image:
    South Flank of Dune  1992-1993  Lithograph, Australian Print Workshop archive 2.  Although this image may not be easily viewed here it is an example of the research and knowledge this artist gathers through his work in situ.
    2nd image:
    John Wolseley  Landmarks II  by Professor Sasha Griffin, published by Craftsman House, Melbourne, 2008