Showing posts with label sophie's studio. Show all posts
Showing posts with label sophie's studio. Show all posts

Friday, November 13, 2015

Studio archives ... revisited!

Hello there...

I just copied this from my Studio blog which I realised I had not visited for a LONG time.

I thought I would update here ... a new Studio photo and where to find my news & postings these days.

This morning I had a visit from Photographer Margie Bender who took this Studio panorama shot which I do rather like. Often when people visit the studio and its been a busy time I feel like I have to clean up first. Neither the studio nor myself were particularly well groomed but I like how it worked out... and looks a hell of a lot more organised than it feels.

Friday November 13th 2015 ... 

I started this blog in winter 2009 ... and I didn't really have a studio when I started, had been very ill & was  just getting things going again. So its great to be in a whole different phase where much has taken shape... although it must be said in 2009 it was easier to sell paintings, the economy in Australia hadn't fallen over from the GFC, global ecological disasters and Climate Change were less dominant in the general public's psyche even though many knew then that ignoring it was at our great peril. 




I spend more time on the Homage to the Seed page at Facebook and Instagram these days. So if you wonder what I am up to find me there... Homage to the Seed is alive and well.


Tuesday, December 2, 2014

OPEN STUDIO images!



OPEN STUDIO week concluded yesterday after 9 busy days open from Midday most days.




The experience was well-timed for a complete makeover of the space... paintings came down off the walls and works on paper wall-papered the entire space.





It was incredibly refreshing and stimulating with all this material around... those who may have thought it too maximal were too polite to say and many found it interesting  and took time to gaze at things.




The Artist talks were a really productive part of the 9 day event... I so enjoyed having two artists come to share their stories and work... and I also ended up doing two different talks on the journal process which was a very unique experience to actually be surrounded by so many of my journals and works to refer to. Often I talk with a Slideshow for prop... quite a good process as the images are lively... however the intimacy of this weeks talks prompted a great discussion through sharing primary materials first hand!




Some of my journals




...on the table after the groups left Sunday morning.




I'd forgotten what was included in some of these journals not looked at in ages. 





Wednesday's talk with Lesa Hepburn was fantastic .... she brought fibre and paper samples and did a demo of some paper-making processes which got my imagination working. I am planning to go to an exhibition at Redcliffe near where she lives this weekend featuring Paper. I rather wished this talk have been taped ... I felt like I was hearing so much I wanted to know more of!




I certainly hope to see much more of Lesa Hepburn's work... her knowledge and experience leaves one wanting to learn much more!



On Friday afternoon I was delighted to have photographic artist Renata Buziak at the studio doing a talk on her fascinating Biochromes ... a process she developed with photographic materials and decomposing plant matter that is really something to observe.




Her time lapse images were stunning and the range of ways she has applied her work absolutely riveting. Through the period of her current PhD her exploration of plants used in medicine and healing has grown ... taking her back to the cultural context of her homeland Poland and to the Indigenous people of North Stradbroke Island in Moreton Bay.

The one thing about this 9 day Open Studio I particularly valued was the exchanges... I went into it having worked alone in the studio most of the year... often in a really intense and ultra focused way. Through these new interactions I found I was able to hold onto that atmosphere of it being a dense thinking space... but in a an entirely different  and collaborative way.

I've started this new week considerably refreshed by the experience ... keen to follow up on some excellent exchanges and ideas... even possible collaborations with the artists.

I worked this afternoon with Renata at the school project 100 Futures Now we've both been part of this year... tomorrow an exhibition of what was created with Yr 8 Students will be shown to parents and friends.

The Studio is going to be OPEN each THURSDAY till Xmas and by appointment if anyone wishes to visit. Sophie is on 0430 599 344.... call or text a message if you wish to get in contact.

Wednesday, November 19, 2014

Prepping for the 9 day OPEN STUDIO week at Seed.Art.Lab


Busy days at the moment making sure everything is organised. Saturday is a few sleeps away and if there is one thing I've noticed about holding OPEN STUDIO events its feeling you can always do more or be more prepared.

However ... really half the thing it seems to me is getting into a social mood and finding ways to make it a lively and joyful event. That was easy yesterday when new intern Jessica Olorenshaw joined me to set up.




If you tired to read the tiny print it say there will be artist talks and a demo or two... yes... more coming on that soon.


And of course I'm offering free sessions of the BIG SEED DRAW with prizes drawn at the end of the event picked from names of those who posted about the #thebigseeddraw on Twitter, FB or Instagram! Stay tuned!





Jessica helping me decide what to hang where for my Black and White wall... images mainly come from residency stints or carious studio phases!





The top wall is work from the Institute of Molecular Bioscience... it was great to included that with other very different seed inspired work.





This was a work I was really pleased to include .... its made up of 10 or so panels of work on paper that I determined could possibly work well installed as an assemblage.

I refrained from stitching or gluing the panels so it can be altered... so this is it ....  for the moment anyway!

Please call or email if thou have any questions and don't forget you may make a time to suit you. All work is for sales unless clearly marked!

Cheerio,
Sophie

Thursday, April 10, 2014

OPEN STUDIO EVENT at Seed.Art.Lab this weekend, April 12 + 13 in Brisbane


This is a quick post ahead of a big weekend at my Brisbane Studio: Seed.Art.Lab to let you know all are welcome if you happen to be in this region and would like to come along!




I've just been finessing plans for our wee Pop-up cafe on the side of the Studio plans.... and went back to a favourite book of mine by Diana Henry for the recipe for Yoghurt and Walnut Cake with Coffee Syrup last night. Perhaps the Orange Almond Cake pictured above will be our gluten free offering.... the Walnut cake is not gluten free... but has substantially less flour being laden with walnuts! I go really light on the sugar in it as well... have made this many times and the flavours are sensational without loads of sweetness.




To read all the details about the event go to the website home page here.





Also on the home page is the link to the Latest Newsletter which you can read here telling you about my next residency at the brand New Plantbank Seed Research Facility in NSW and this event.





Address: 
48 Meemar St
Chermside 4032
Brisbane,   QLD
m: 0430 599 344

STUDIO HOURS THIS WEEKEND:

Midday till 5pm both days
12 + 13 April, 2014





Friday, January 3, 2014

Sepia ink and a week away!

Sepia ink was the substance that took my fancy when deciding what art materials to take on the recent mini-residency I undertook at Koonjewarre between Xmas and New Years. Although I packed up all kinds of materials to take along something about the darkish brown ink possessed my imagination.

"I was much interested, on several occasions, by watching the habits of an Octopus or cuttle-fish ... they darted tail first, with the rapidity of an arrow, from one side of the pool to the other, at the same instant discolouring the water with a dark chestnut-brown ink."

I'd quite forgotten that Sepia ink came from cuttlefish... not sure if it still does but I did very much like the hue and quality of the sepia I used!


Boxing Day I packed and went to the mountains 90 mins or so south of the city where I live. Springbrook National Park is a stunning destination and I'd not been there in 5 years and before that it was about 20 plus years since I'd stayed there so it was my good luck to have studio space on the mountain at a Retreat where I could work.

I wrote more on this at my Studio blog last week and I posted on my Homage to the Seed Facebook page regularly during the 6 days I was up there at Koonjewarre




Journal pages, working with twigs dipped in the Sepia ink.




Journal pages ... I was really taken with these 
Black Wattle seed pods that were so maze-like.




Stunning walks are abundant in this region.



 bush walking led to all kinds of magnificent views 
yet i loved the details as well as the grand vistas!



I gathered some small fruiting branches from a Rainforest species
and placed them over a quick drawing of the same species.




I liked noticing all the lines in these images




Candlenuts are a species I'd like to know more about. Late night
drawing I explored rainforest fruit species online... keen 
photographers documenting Far North Qld rainforest species




Carnavalia aralifolia ... actually from an 
image found on the internet from Far North Qld.





Loved this unique fern at the site where 12 of us went to volunteer 
clearing the invasive species Aristia, known also as Blue Stars. 
                  



This grass below was noticed in the area where we were weeding.




I pulled together this series of images that emphasise
 line and also tonal contrasts, mostly in Sepia. When
downloading images tonight I could see more clearly 
what had captured my attention and its struck me that
I was also seeing this environment in a much drier
state than my other trips. It can be such a wet spot!




I set up a temporary studio and offered 4 short 90 minute
 classes to those in the camp running whilst I was there.



Drawing these acacia pods was intriguing!


A few of the class participant's artworks...  it was a group of
 7 who joined me for the drawing class at the studio over the 
week, most of whom are never involved in art of any kind. It 
was exciting to see how much they relished working visually!




A concertina book made of beautiful watercolour paper was
an ideal challenge for many new to drawing and making.




Using twigs dipped in the Sepia ink was a popular 
approach to drawing. Various people tried this approach 
with gusto and returned each day to work in this manner. 
It was an ideal medium for the class to draw the seeds 
collected around this particular location.




Being able to easily visit stunning scenic
 sites nearby was such a treat. 


This tree below was massive, however it was 
damaged and the lower trunk was all that remained.



More linear complexity...    
                     




And a message noted down in one of the class session by a participant...



The focus of classes was Seeds and Biodiversity...  seeds were collected from around the grounds and  the Studio was lined with artworks and material relevant to the theme. 

We had two guest speakers over the week in this class. Also in residence was Peter Lawson whose career and subsequent years have been spent working around landscape and conservation, including Marine conservation as well. He spoke for well over and hour and we asked questions and clarified our understanding of the background to his experience and how in step his work has been with the unfolding of some major conservation themes in Australia. 

He started off at Forestry school around the 60's and talked about influences and perspectives on conservation that existed at the time and how he moved from Forestry to Conservation, Forest and Lands and then to Conservation and Environment over decades as the portfolios evolved and new departments were formed to deal with the increasingly sophisticated understandings of natural resources and how they best be managed and sustained. In the 90's a move to Qld took him into new work agendas and projects. Currently he is still involved with the Springbrook National Park through a connection with the Springbrook Rescue Project.

This dense and stimulating dialogue, and another similarly informative session with Deanna Scott talking about her extensive work in Bio-security within her Qld Govt role, provided an incredibly informative background to our exploration of seeds and Biodiversity in the workshops. 

Arrangements to go to the mountains in December were quite late in the making ... and I am very grateful that a plan that started out in a light-hearted chat evolved into such a poignant, educational and high quality experience. We discussed Eco-tourism whilst up there and its growing relevance... access to volunteering, education, projects and such. One has to wonder at the alarming waste of opportunity given how much movement there is on the planet and how often engaging more deeply with a place is passed over.

The same people who gave or engaged in the talks,  and took part in my workshops were also volunteering at the Springbrook Rescue Project down the road on New Years Eve. There was plenty of time for people to disappear and do what they wished, or go walking, or take off somewhere for afternoon tea even... but what was clear when I left was the way there had been a real engagement with place.

I arrived home late yesterday afternoon and have been missing this extraordinary region, its dense vegetation and wild weather changes all day long, the wallabies and the cool... low clouds hugging the mountain for part of the week. Today I downloaded photos, took care of some business but otherwise spent time catching up with my thoughts and processing this wonderful experience in the mountains.    

I've many more photos but thought I'd stay in theme here at this post.

Sending you all my very best greetings for a Happy New Year and a wish that your 2014 be a year to remember for a number of truly rewarding and uplifting reasons!
                   

Tuesday, November 19, 2013

fresh works and new directions...


Darting here and there at the moment... thought I'd show some work that I'll be putting up for the Studio Launch this weekend.


it was so enchanting last week to spend a couple of nights puddling around with colours on paper ... unconcerned about what direction I was heading.


Paul Klee's writing and imagery on seeds and plants has been a fascinating exploration.



I enjoyed working representationally when combined with elements of abstraction.




Loved how these seeds pods had a uniform number of branches on each stalk... 4 pods in every case.



Pomgamia is a tree growing around Brisbane streets with pods falling on pathways... something that always stop me short to pick up and pocket for later.



Pongamia up close... botanical details here at Wiki.

Wiki Excerpt: Oil made from the seeds, known as pongamia oil, is an important asset of this tree and has been used as lamp oil, in soap making, and as a lubricant for thousands of years. It can be grown in rain water harvesting pits /ponds / lands up to 6 meters water depth without losing the greenery and to produce bio diesel.[7]


Another tangent is the Biodiversity Conversation Plate series... written about in other posts recently.




Hand-painted porcelain plates



using seed and pod motifs



come in several sizes and have been displayed on new shelves ready for the weekend showing at the launch. Its a small area of wall between two front windows... so light is good even if it didn't help when taking these shots!




I'll quickly close with several images from a brief project I did locally with 12 yr old students at a Brisbane secondary school last month. These individual works were set up for show in a huge black theatre space... hence the black walls!



Together we explored seeds and Biodiversity.


We had 4 brief sessions in all.. and covered a lot of ground through dialogue on various themes around seeds and biodiversity. It was interesting to hear their thinking on this and then take it to a public audience for response!



Buzzing off now. 
Best to all,
Sophie