Showing posts with label contemporary art. Show all posts
Showing posts with label contemporary art. Show all posts

Thursday, October 21, 2010

TED Prize - Wishes big enough to change the world


JR : Winner of the 2011 TED PRIZE - the title above is TED's slogan.

This story from the TED blog today just grabbed my attention ...with good reason if you wish to read on! Click on the link above to see the excellent TED video and read more!

Reached by telephone on Wednesday morning on a bus in Shanghai, where he was headed to work on a largely unauthorized photo-pasting project to draw attention to the city’s demolition of historic neighborhoods, J R said that he had learned of the prize only two weeks ago and that he had not yet had time to think of a wish.
But he said that it would undoubtedly involve his kind of guerrilla art, which he has been creating with the help of volunteers in slums in Brazil, Cambodia and Kenya — where the outsize photographs, printed on waterproof vinyl, doubled as new roofs for ramshackle houses. “I’m kind of stunned,” he said of the prize. “I’ve never applied for an award in my life and didn’t know that somebody had nominated me for this.”
Randy Kennedy of the New York Times got an interview with JR, winner of the 2011 TED Prize, for the TimesFrom the story:

I have rather quickly posted these images and links ... I realised I'd been looking at his work here and there for a while ... this was the first time the story came together for me. You're possibly better informed about this artist that I was ...his story seemed well worth sharing ... just in case!























  • WOMEN - project. After his first visit in 2007 JR comes back in the slum of Kibera in Nairobi (Kenya). He set up 2000 vinyl square meters on the rooftops figuring the portraits of the women who are living in. He pastes also a whol train with eyes to create an anamorphosis with the faces set ont the railway slope through the slum - january 2009

  • WOMEN - project. JR comes back in Cambodia (Phnom Penh) and in India (New-Delhi and Jaïpur) for pasting actions in the streets. In Jaïpur he pastes huge white and sticky stencils to catch the dust and the colors within the context of Holi fest. Then eyes and gazes are reaveled - march 2009

  • WOMEN - Rio di Janeiro exhibition. 4 video installations in the Casa França Brasil, including the China House one unbuild the past year in the Morro da Providência. Pastings on the Arcos de Lapa, the teatro Joao Caetano and the Salla Cecilia Mireiles. Free exhibition from the april 24th to the june 21st 2009

  • WOMEN - project. JR launches the "Casa Amarela" Cultural Center in the Morro da Providência who set up with the community. A photo exhibition by the kidz is presented. - april 2009

  • ARLES, Rencontres de la Photographie - participation to the symposium the tuesday 07 july at 12.00 am. Theme : JR and the Participativ Art. http://www.rencontres-arles.com/A09/C.aspx?VP3=CMS&ID=A09P806


  • Text: website - http://jr-art.net/





    Text here from jr-art.net

    JR owns the biggest art gallery in the world. He exhibits freely in the streets of the world, catching the attention of people who are 
    not the museum visitors. His work mixes Art and Act, talks about commitment, freedom, identity and limit.
    After he found a camera in the Paris subway, he did a tour of European Street Art, tracking the people who communicate messages 
    via the walls. Then, he started to work on the vertical limits, watching the people and the passage of life from the forbidden undergrounds 
    and roofs of the capital.
    In 2006, he achieved Portrait of a generation, portraits of the suburban "thugs" that he posted, in huge formats, in the bourgeois districts 
    of Paris. This illegal project became "official" when the Paris City Hall wrapped its building with JR's photos.
    In 2007, with Marco, he did Face 2 Face, the biggest illegal photo exhibition ever. JR posted huge portraits of Israelis and Palestinians 
    face to face in eight Palestinian and Israeli cities, and on the both sides of the Security fence / Separation wall. The experts said it would 
    be impossible. Still, he did it.
    In 2008, he embarked for a long international trip for "Women", a project in which he underlines the dignity of women who are often the 
    targets of conflicts. Of course, it didn't change the world, but sometimes a single laugher in an unexpected place makes you dream that 
    it could.
    JR creates "Pervasive Art" that spreads uninvited on the buildings of the slums around Paris, on the walls in the Middle-East, on the 
    broken bridges in Africa or the favelas in Brazil. People who often live with the bare minimum discover something absolutely unnecessary.
     And they don't just see it, they make it. Some elderly women become models for a day; some kids turn artists for a week. In that Art 
    scene, there is no stage to separate the actors from the spectators.
    After these local exhibitions, the images are transported to London, New York, Berlin or Amsterdam where people interpret them in the
     light of their own personal experience.
    As he remains anonymous and doesn't explain his huge full frame portraits of people making faces, JR leaves the space empty for an 
    encounter between the subject/protagonist and the passer-by/interpreter.
    This is what JR is working on. Raising questions...
    JR currently works on 2 new projects: Wrinkles of the City which questions the memory of a city and its inhabitants and Unframed, 
    which reinterprets in huge formats photos from important photographers taken from the archives of museums.










    jr










    Saturday, August 14, 2010

    clearing one's head...


    Yesterday it was great to get out for a walk after some rainy grey old days. A friend and I met at Brisbane Powerhouse for the walk along the riverside pathway. Once the supplier of power to the tramway network of the city as well as suburban power it has been converted more recently and opened 10 years ago as Arts precinct.... hence the sign below which is one of 4 by artist Richard Tipping (see at end of post).







    Great walking around this area....love how the Brisbane river curves around....snake-like for miles!


    The Powerhouse building is well worth a visit... Saturdays twice a month it hosts a growers market on the grounds.

    Brisbane Powerhouse



    Feeling Power Hungry sign - New Farm Park and Powerhouse, Brisbane, Queensland, Australia 070202

    Today was just as sunny and on route to the studio I stopped for coffee not far from the studio... love the city views in this area. Whoever lives in this house has a great view.




    Across the road from the house above is the surprisingly ramshackle one below which incidently is one of the grooviest cafes in Brisbane. I used to stop there last year on route to the Botanic Gardens for a coffee and chat... but this year have been so busy that today was the fist visit in a long time. There's no signage out the front. I once asked what it was called and have completely forgotten because I named it 'the cafe with no name' and like to keep it as a secret destination.
    Inside the walls are painted black and the seating is very relaxed ...plenty of good magazines to read and THE best coffee. There is about 3 things on the menu...all of them toast... but the best - I like the  excellent sourdough rubbed with garlic and smooshed with ripe tomato and and a splash of olive oil!
    And when this town turns on the heat I can tell you sitting in this dark cave of a place is perfection...
    It is seriously the most refreshing place to visit ...it rewrites all the rules...but gets the most important things really right.(and its not far from my new studio.)




    OK... so what have I been painting for the last 3 days? last week I added more pages to my 'homage to the seed' journal and revisited work from a few years ago... then worked with ink on paper and reworked some older work. Basically just feeling my way into the work after a break and the relocation.
    Then 3 days ago I picked up a 60 x 90 cm painting on canvas I decided I was unhappy with and completely went off in a different direction. If change is as good as a holiday... then this is the holiday I meant to take but have as yet put off. For 3 days I have listened non-stop to radio national...a lot of election reporting which has now become tedious, although I must say this election has me fascinated.


    I have caught some brilliant programs - losing myself in the world of Radio National and this altogether mysterious painting below. Why I say mysterious is because it has a life of its own... I'm coming along for the ride... its dictating to me and I just shut up and follow. As I have been working on it I feel my head clearing. After 5 hugely busy months where it seemed all go, go, go.... this has been like doing a very large puzzle... the brain activity of deciding ...ok... this colour here...that line there.... its enveloped me in a way that has had the effect of clearing my head. After chaos ...the re-ordering. Probably I need to do a fair bit of this re-ordering in my home office and such...but starting here is a very enervating place to 
    apply that energy.






    I have no name for this yet. I know its not finished either ...but Im wondering if the finished work is as important as the process in this case. Below is a close up of a section of the work...




    Whatever will be next?


    Anway...back to the artist who's signage art works were shown above.... Richard Tipping. If you click on the word editorial below it will take you to the text he wrote for this Australian Art Journal. See Google images for further visuals.

    The Word As Art

    Editorial

    Artist: Mr Richard Tipping, editorial
    Richard Tipping looks at the role of text and language from an historical and contemporary context, covering areas of interest such as recent technological advancements, graffiti culture and going as far back as 46,000 years to briefly discuss some of the oldest found examples of Indigenous cave art in the south of Australia. Along the way he looks to medieval and ancient Phoenician developments, Clement Greenberg's promotion of painting as a purely optical experience, one in which text has no place except as another kind of surface, the role of Dada in claiming the relationship between word and image and discusses other important figures such as Duchamp, Brancusi, Stephane Mallarme, Christopher Brennan, Picasso, Braque, Kurt Schwitters, Charles Olson, Alex Selenitsch, Allan Riddell, Rosalie Gascoigne and many others.

    Sunday, June 13, 2010

    hallowed space



































    Atelier Cezanne - these images were found at Lark About via Pia Jane Bijkerk. I wanted to share them - pondering these took me to another time altogether and I think it is good to remember what place stillness and a good working space (no matter how small or large) means for a long life of art.



    ON a somewhat different note I really enjoyed these 2 posts here and here from Steven Alexander Journal on Brazil.

    He writes:

    "In July, I will be spending three weeks in Brazil (much more on that to come) -- and in preparation, I've been looking at a lot of Brazilian painting. Geometric abstract painting has been deeply embraced in Brazil, and still is -- creating a sustained legacy of rich and varied work. I am just beginning to scratch the surface of this parallel universe of rigorous and beautiful painting by artists who are virtually unknown to the NY art world. Here is just a small sampling to begin -- with more to come." Images from the internet.




    Julio Villiani




    Concalo Ivo, studio view 2010

    I always find it most fascinating to visit an unexplored part of the world through the eyes of its artists... with no travel plans myself and dubious funds to support such this form of travel... across the blogosphere ... is both rewarding and makes sense of much I might otherwise miss.

    Monday, June 7, 2010

    a penchant for maps...

    Tonight I was clicking through some places I like to visit but haven't for a while. You know how it goes - one minute I was at some obscure but fascinating site, then at Huffington Post, then the guardian.co.uk which lead to BLDG BLOG and a wonderful post titled NEW WORLD ORDER which I noticed at the end credited Data is Nature , another wonderful must see site/blog if you have an interest in how art may cross-pollinate with science.

    New World Order features -
                 "Artist Shannon Rankin does amazing things with maps. Treating them as mere pieces of decorated paper to be manipulated—clipping out spirals, folding crevassed roses of ridges and faultlines, pinning up confetti-like clouds of circles and zigzags—she creates "new geographies, suggesting the potential for a broader landscape."  TEXT: Bldg blog


















    Please do go across the post for a much more comprehensive introduction to this wonderful artist. You'll find the link to the artist's website there as well. Maps have a strong lure for many ... however I found some interesting directions being taken in this particular artist's work. Some time ago I found a blog dedicated to artists using maps .... I'm reminded to go back looking for that!

    *About DataisNature:


    Dataisnature is a weblog of personal and recreational research containing information and links covering the following topics - Robot Art, Algorithmic and Procedural Art, Computational Aesthetics, Glitch Aesthetics, Vj’ing, Video Art, Computational Archaeology and similar subjects. My impetus behind this weblog is to share and collate my findings in a central repository and publish for the benefit of interested communities.

    Thursday, June 3, 2010

    events, events and more events....

    I dont know about you but there seems to be a lot on at the moment. Someone said to me the other day that when you live in a hot, humid climate it makes sense to load everything on to the calendar at this time of year... its our winter...there are few holidays this time of year and so it is the time when things get very busy...and why not!
    Before I tell you about these (local) events I am going to quickly find and post some images that appealed to me this week and you will see why!


    ...first up...I am going to come along with Mlle Paradis next time she goes to this place....













    anyone else coming for the trip? Im not going to tell you where it is...go look here! She has a lot more wonderful places to take us up her sleeve!

    ....and after that exertion ....

    how about this....

    Sc02025ca5


    or even better really...for all those books waiting to be read.... the perfect spot...


    Sc019ab5cb

    these images come from Robyn at the lovely garden rooms. Pop over now and see more on this delightful (For me just now - escapist) theme!
    This window reverie image made my heart leap...perhaps it reminded me of a wonderful home I had in Melbourne over 15 years ago now...or maybe just the aesthetic of absolute rightness about the parts that make this stunning whole - its the kind of beauty I adore in spaces... I want to be there... even though I dont know where is!

    OK..now that I have gotten that part of the post out of the way....get ready to write in your diaries.... if any of you reading this actually live in this same city as me... its social calendar time!


    I just looked up the website and it is fabulous.... not only that ... I have a CD of music by this musician that I love and have often had classes draw to it so I am really, really disappointed that I have a dinner to attend this friday night when this wonderful show will be on at the Botanic gardens for the World Wildlife Fund.  w:   www.linseypollak.com 

    The Extinction Room

    The Extinction Room is a solo music performance piece by Linsey Pollak.
    It is a sound  piece creating music from the sounds of endangered & extinct animals.
    In this performance of approximately 45 minutes,  the audience will wear blindfolds 
    and be taken on a journey into the Extinction Room….. a sound archive of endangered
     and extinct species …… the calls of animals that no longer exist……or may soon not 
    exist. These sounds cry out to us in perhaps a more immediate and emotive way than 
    words can describe. They are a cry from the animals that share and have shared this 
    planet with us. This is an audio Library of loss, of despair AND of HOPE…….because 
    we can do something about it if we act NOW
    This is a solo performance using live looping (a process using real time instantaneous 
    recording of each layer of music) playing an Electronic wind instrument that plays  the 
    sound samples of animal calls. All the sounds used are animal calls and nothing has 
    been pre-recorded……it’s all being created as you listen.
    NEXT:

    and last but not least:



    If you pop over to my studio blog you can read much more on this and the venue... This is opening on June 18th and I will fill you in again before then... I am artist no: 4 in the pick-a-box. This will be a lot of fun so come along you Bris-based people...I'll see you there!

    PS still painting but enjoying the process... 10 artists over `10 days... very doable!
    caio,
    S x

    Friday, May 28, 2010

    Today...

    ... actually yesterday now... last thing before bed a quick little post on my day...and wouldn't you know it... its after midnight!
    Q: So why this first photo below?
    A: Because I live next door to a school tennis court and this morning when I was trying to catch a little more shut eye I had to listen to the very loud, surprisingly competitive conversation of two tennis coaches. Let me tell you ... this was louder than usual...and I heard every word... did I want to? NO! And the sky wasn't blue either like the day I took this photo!
    Not to worrry! It was a painting day in my home studio and nothing was going to put me off. I had my porridge with bananas and currants and headed out to my fav Cafe for a delicious coffee and chat and bought some of their amazing organic sourdough rolls to bring home.


























    Here you can see my shot of a recent visit there... with toasted organic roll, buttered and spread sparingly with much loved australian condiment -vegemite. For me too salty when its lathered on!
    Simple... coffee 3/4 full...not too much milk and strong quality Italian style brew! Brewbakers is the best by far in my area for this sort of thing! And conversation abounds here... good people coming by!







































    Home again and to the back verandah is where I paint when I want good light - this time of year its heaven...cool but never too cold. Even with a bit of rain its still a wonderful place to work. Summer-time it can be  ridiculously hot... so one makes the most of this time of year!



    I like this quote below... I have posted it before... ages ago... but its never  a waste of time to be reminded of this! Today though it was a matter of simply getting on with what I'm working on... with some time given to going back through the wonderful book I have dipped into quite a bit this year -"Rainforest fruits of Queensland" by William and Wendy Cooper. I keep borrowing it from the Botanic Gardens Library - at $300+ its not something you rush off and buy BUT I will say its spectacularly worth it!

    One does not just dip into this book ... one kind of climbs into the rainforest layers of it its so dense and magnificent. On reading of a species that may be found in the Clarence valley of NSW where I grew up I go off into a reverie of trying to recall the bush and places where I might have seen this or that.








    ...work in progress and the Homage to the Seed journal I'm keeping above and below - the Cooper rainforest book I mentioned is also open above. I was very keen to get on with painting but felt the need to go back through the Cooper book, freshly documenting, with very quick sketches and brief notes, some interesting forms in the the capsules and seeds of various species. I'm loving this way of becoming more familiar with the biodiversity of the rainforests and similarly rich habitats... recognising the enormous numbers of species and seeing the variations that can occur just through this simple research is so fascinating to consider. Tonight, noticing an indigenous version of nutmeg and reading that it has little scent led to wondering about the extraordinary discoveries that people made through Millennia, the risks when identifying if something was edible, what properties it had and so on.
    I'm finding ethnobotany more and more fascinating and realising that its piecing together some of my own various passions for knowledge that to date didn't seem to link that well.

    I also came across a fascinating read Hybrid: the History and Science of Plant Breeding by UK based Noel Kingsbury that was published only last year by University of Chicago Press at the Garden's Library this week.

    Latest Book !

     I'm still hardly scratching the surface of this no doubt timely book - all 492 pages of it. Its contains a series of topics that as they get closer to the present day heat up in terms of potential for controversy. I am noticing the writer's sustained attempt to address these topics with thorough research and due consideration. Still too soon for me to have formed a strong view of his take on current political implications of what is occuring in the complex field of genetics, patents and such. I will say that his coverage is immensely broad  but there is some clearly controversial material which I just noticed on his blog Noel's Garden Blog he owns as "unfashionable ideas".
    The sense I did get in reading his book is that there is perhaps not a huge amount of material around that seriously attempts to cover this broad spectrum of human history on Plant breeding. So whilst some things made me sit up sharply and want to pick a fight I was having to address how little I knew of what was being raised and I found it a welcome book for bringing to the table a great many enormously relevant topics.
    Well...so much for a quick post...still its been a great way to wind down, and reflect a little on this day just passed.
    Ciao! S x
    You may click on the image below to enlarge.

    Saturday, May 22, 2010

    Q: but does it float?

    A: If you've come across that title before you probably know the fascinating website butdoesitfloat.com. I found the following sources of inspiration there catergorise under Macro/Micro which I decided to share with you here!

     In network theory, a node’s relationship to other networks is more important than its own uniqueness. Similarly, today we situate ourselves less as individuals and more as the product of multiple networks
    Generative artworks by Keith Peters
    Title: Kazys Varnelis













































    Drawings and title by Robert Horvitz



































































    Drawings by Simon Evans









































    Paintings by Mark Warren Jacques































    Mark Bradford is an artist who incorporates ephemera from urban environments into mixed-media works on canvas that are rich in texture and visual complexity. Though he has experimented throughout his career with many different artistic media, including public art, installations, and video, his signature and 
    best-known work takes the form of massively scaled, abstract collages that he assembles out of signage and other materials collected, most frequently, from his own neighborhood in South Central Los Angeles.”

























    Cornelia Hesse-Honegger, scientific illustrator and science artist, was born in 1944 in Zurich, Switzerland. For 25 years she worked as a scientific illustrator for the scientific department of the Natural History Museum at the University of Zurich. Since the catastrophe of Chernobyl in 1986, she has collected, studied and painted morphologically disturbed insects, which she finds in the fallout areas of Chernobyl as well as near nuclear installations.



























    Separated from the familiar, confronted with the unfamiliar, and reflexed only by the brain’s mechanical feedback
    katrin moller painter

























    We are like butterflies who flutter for a day and think it’s forever
    Marcus Mrugalla

































    Isolated human particles floating weightlessly through a magnetic field of fabricated pleasure, occasionally colliding


    Oskar Fischinger paintings form the 1960's






























    Oskar Fischinger (22 June 1900, Gelnhausen, Germany — 31 January 1967, Los Angeles) was an abstract animator, filmmaker, and painter. His animated films that were partly influenced by the poetic abstraction of Kandinsky’s paintings were among the first to mix high art and mass culture.

    More info on Oskar Fischinger: http://www.centerforvisualmusic.org/Fischinger



    Geometry does not teach us to draw these lines, but requires them to be drawn











    Bridget Louise Riley

























    It is a matter of perfect indifference where a thing originated; the only question is: “Is it true in and for itself?”
    Vince Contarino























    There is geometry in the humming of the strings, there is music in the spacing of the spheres
    Mona Hatoum
























    Then again, it’s the same old story









    Kellyanne Burns


    Morphogenesis is the biological process that causes an organism to develop its shape:
    Via Xavier Hufkens























    As I approach, it bestirs itself and moves deeper into the thorny swamp of dissent
    Joel Shapiro























    Outside is pure energy and colorless substance, all of the rest happens through the mechanism of our senses. Our eyes see just a small fraction of the light in the world. It is a trick to make a colored world, which does not exist outside of human beings
    Phillip Otto Runge

























    Hilma f Klint : The hierarchical way we pictured the world no longer seemed adequate or accurate
    Through her work with the group 'the Five' af Klint created experimental automatic drawing as early as 1896, leading her towards an inventive geometric visual language capable of conceptualising invisible forces both of the inner and outer worlds. Quite apart from their diagrammatic purpose the paintings have a freshness and a modern aesthetic of tentative line and hastily captured image: a segmented circle, a helix bisected and divided into a spectrum of lightly painted colours. She continued prolifically to add to the body of work amounting to over 1000 pieces until 1941. She requested that it should not be shown until 20 years after the end of her life.—Wikipedia















































    Paul Henry Ramirez painting




























    Susan Aldworth (1955) works in etching, digital print, film and installation. Her current practice is inspired by medical science, focusing on the human brain and issues of personal identity.









    Ryan Browning





























    And the last words are from Travis Stearns. All images were found at But does it float with other images and links for each artist ( and many more)