Showing posts with label ecology. Show all posts
Showing posts with label ecology. Show all posts

Thursday, June 6, 2013

a time for all things...

Firstly ... something so easy to overlook when not spending time here... I want to thank new visitors coming by ... those who have joined the 'Visual Eclectica' community and friends popping back in.

Its been a time of renewing friendships and making new connections lately. The other night when putting together a slideshow about my work and wanting to give some context I dug up some old photos... like the ones below.

I'd just moved from London, via a stay with family for a few months in Brisbane to catch my breath, when I relocated to Melbourne (in south-eastern Australia). It reminded me a little of small version of London... cooler weather during winter and tending to grey days and old buildings in abundance. Culturally very lively too... it seemed to perfect choice for one sad about tearing oneself away from London in the later 1980's.

Going though my photos I was reminded of the living situation I'd chosen... opting for the slightly leafier part of the city that was almost country-like with its proximity to the river, bushland and green spaces. In the first year or two I went often to the river. As I became busier I seem to go further afield exploring. But looking at the photos the other day what struck me was the thought it was almost as if i was choosing a country existance.



musings on my time here...



I loved the wisteria covered greenhouse. The photos I had to take with my iphone from old photos.
There are many more photos that need such documenting as the colour is fading or they look worn.



This shot was taken after a weekly visit to the Vic Market for our produce and deli items, which meant frequent shared tables during this era with people coming and going thought the wonderful old house. This great old kitchen epitomised home for me... especially for a world-weary soul, tired after 2 years of intense travelling and living and working in London. 

I'd had two live-in London placements ...without a work permit, par for the course. However, they were unusual 6 months stints... the first with a family with three bright-eyed little children, the mother of whom was bed-ridden and in treatment for a brain tumour. My role was far more extensive than the job description had advised... the children came to love doing all the arty stuff I set up for them and the family enjoyed the cooking which was a volunteer undertaking as it was an enjoyable task during those long 12 hour days.

The second home the following year after summer travels started well... but the lovely mother of two whom I had taken on cooking and cleaning for to help whilst she recuperated from an operation died on my second week there. Shocked, I later found it had been on the cards and that my arrival and warm relationship with her children had given her faith she had done all she could to prepare for the inevitable. We'd sat on her bed and talked two days before she'd gone to hospital. So philosophical at the time, keen to know my story and see my travel journals... she seemed comforted that I was there...it had only been a week I'd lived there. Which remind me we never know what role we play in someone else's life. By chance it was my unknowing gift to be there at that time.

These two experiences were more critically challenging and informing than much of what I saw in my entire two years abroad. If my life was going to be a response to questions that would invariably arise from time to time then the period living with families in grief dealing with unknown futures certainly made their mark... and ushered in some large questions which needled me till I took time back in Australia to process all that.

So when I say I arrived in Melbourne tired and feeling burdened it was true... yet at this fading grand old house I found a home of the kind I needed for the next 5 years.


There were two spaces to work.... this small corner room with lots of windows was claimed for my studio. All the furniture was already in the house. Next to this room was a long closed in verandah where I could spread out when necessary.



This studio I spent hours upon hours, reading, listening to music and radio, drawing, painting, printing.
Its where I really forged many of the ideas that have since informed my work and evolved further during changes and fresh departures over the years.

Its interesting to look back and make the connections between the desires and hopes of those years and the direction my work took... things that came about much later.




The book "Honey from a weed" is an all time favourite. During the time preparing the slideshow last week i tracked down further articles about this writer's life which I must come back and share here.



As for recent weeks ...its been an unusual time with a trip away for 4 days in Melbourne then for a few days and onto an excellent 4 days spent up the coast at a Conference. Life went from several insular months focused on home-front details around selling our home and finding another. Just as things had fallen into place other things were emerging.

The recent post I did for Rohan was written the week before his passing. This took me south to join with his family and friends in Melbourne to celebrate his well-lived life... shortened at 29 by a heart-wrenchingly tough illness lasting over 8 years... dealing constantly as he did with life-threatening developments in his illness. Friends spoke at the memorial who'd clearly felt the impact of seeing this journey into unknown from their vantage point of wellness and careers unfolding. Profoundly beautiful and articulate speeches for someone they so admired. His family were so gracious and calm through all.
The entire period, staying with another old friend, moving around the city, visiting old familiar spots, was somehow disorienting ... time was liquid... past and present dissolving. It was however so  timely to have made this trip ... to be alongside old friends.

Only home a few days from there my bag was packed to go north to attend an International conference Balance-Unbalanced 2013...


Photo
conference poster

 This poster was of the friday evening event.


Photo: Can't make the whole Balance-Unbalance conference next weekend but want to experience some of our great presenters?  Check out the Pecha Kucha Night program for the evening of 31 May.  Tickets for the evening event, for the one day on Friday or the whole conference are now available.   http://www.balance-unbalance2013.org
Petchakucha evening
The program featured regional and international speakers. Friday's Keynote speakers were both energising and sobering given the nature of this conference to examine how climate science is being negotiated by artists in inter-disciplinary practices with science, ecology and technology.

The fact of it being a smaller group of around 300 people in attendance led to the most amazing conversations happening all over the place. Instead of standing in the corner people were making a point to connect and so tonight just working my way through the papers I picked up with business cards and notes scrawled in my diary.

Somehow the last couple of weeks seems to have converged into a really special time with people... new and old... deeply engagements with others.. and sharing the most poignant range of human experiences.

Its very late and I've not even begun to translate this experience... but I'll say good night! You can read about the artist's talk I gave at the conference at the Studio blog and soon I hope to put together thoughts from the whole weekend. I've tentatively started this at the Homage to the Seed blog yesterday.

Sophie


Monday, April 11, 2011

thanks to Lou and Peppermint Mag!


Late 2009 I signed up to twitter ...but it was january this year when I had an "aha - now I get it" moment. With much of Queensland under water and worrying ourselves silly over people's safety I read about the wonderful 'Digella Bakes' (read this post)...and started following her on twitter. Having just sorted out Tumblr I found twitter remarkably similar! Reblog... retweet... ok... got that. Anyone else as slow with tech stuff? 

Quickly I graduated from staring at the twitter page wondering what the hell to being a participant. Anyway... Im loving that it puts me in touch with global and local news around seeds, eco-future concerns and endless other subjects... its easy to avoid that which doesn't appeal!

A bright spark that tweeted by is the delightful Lou Pardi, editor-at-large( Melbourne) at Peppermint MagazineOn her website home page it refers to her other work, including "the odd contract love-letter"! 

Autumn issue

Lou got me talking and came up with a wonderful half page story re my work - homage to the seed - with pics - titled "seeds of change" for the just out issue 9 of 'Peppermint Magazine' which cheered me up no end following my visit to the dentist this morning. Over coffee I poured through this excellent mag... delighting in its focus on vintage organic recycled fair trade sustainable fresh green fashion ... the look in sync with the times - the paper carbon neutral 100 % post consumer waste! Great reading all up - I now have so many sites to go visit... every one of them marries a strong eco-focus to their creative and business pursuits.


Peppermint Magazine Issue 2 articles - Breaking the Pattern indie art and design interview with Umbrella Prints and Green Graphic Design
Breaking the pattern - from an early issue

Last night on ABC TV I-view whilst painting I watched a documentary series titled 'INSIDE THE GREAT MAGAZINES'. Episode 1 focused on the power of images to shape and define contemporary culture - really got me thinking how often it's been the magazines that have managed to embed new ideas into the popular imagination. 

I can certainly see that happening at Peppermint ... its readership might be younger women ... which Im not... but  I loved the fact it was brimming with content that championed post-consumer values... space for creativity and imagination ... positioning them as central in a well-lived life. That has perennial appeal ... and to all ages.

In 2009 Shelbyville wrote: 


Peppermint magazine

Its byline is FRESH . GREEN . FASHION (Australasia's first eco fashion mag)
It's quite new to newsagent shelves (Issue 3 just came out).
It's straight out of sunny Brisbane.
And it's a wonderful magazine that sits somewhere between Frankie (for content) and Dumbo Feather (for tactility), with a big nod to NZ mag, World Sweet World.
I also found this excellent article below at EcoHearth which was a great background story on the clever people behind this initiative!



Peppermint Magazine: Pushing Green in the Fashion Scene
Thursday, 06 May 2010  |  Victoria Cho | Blog Entry
Green fashion photo by Jorge MejiaAfter reading through an issue of the Australia-based Peppermint Magazine, I’m not sure such a beautifully designed, stylish and compassionate project exists elsewhere. There may be close calls, but it is difficult to immediately conjure up an organization as dedicated to revolutionizing the fashion industry by illuminating its carbon footprint and drawing attention to its human-rights abuses. Peppermint manages to produce flawless, stunning looks that would be coveted by any stylist, regardless of their eco-consciousness.
First published in 2008, Peppermint was conceived when Kelley Sheenan and her husband were researching organic materials to incorporate into their small clothing line in Australia. Sheenan was shocked by what she found.
“After food, clothing purchases have the second-highest environmental impact (in terms of land disturbance, energy and water use) in all our consumption activities,” she writes. “About 700,000 tons of clothing are sent annually to landfills in the UK alone. Hot washing creates up to 4kg [8.8 pounds – Ed.] of greenhouse gases each time, and a clothes dryer generates 3kg [6.6 pounds – Ed.]. The only question left about global warming is what to wear while fighting it!”
Sheenan uncovered some environmental effects and human-rights violations particular to the cotton industry as well. For example,
Worldwide, conventional cotton uses approximately 25% of the world’s insecticides and 10% of the world’s pesticides. The World Health Organization estimates up to 1 million cases of long-term illness from pesticide poisoning every year, resulting in 20,000 reported deaths…. In India, every 8 hours a cotton farmer commits suicide from spiraling pesticide debts and underpaid crop. Every year, over $2 billion of chemical pesticides will be poured into the ground and will wind up back in the food chain. A single t-shirt uses approximately 1.5 kg of toxic chemicals to create.
According to Sheenan, Peppermint was created to provide the fashion world with an alternative. If we want to protest conventionally made clothing and industry practices, we can learn about bamboo, hemp or vintage materials in her magazine. We can also read about upcoming eco-designers, artists, photographers, and other related products and movements.
To minimize her own carbon footprint, Sheenan prints Peppermint on 100% recycled paper in a process absent of water. She donates 35 cents of every issue sold to a nonprofit and holds competitions for artists who interweave environmentally friendly messages in their work, publishing the winner’s work in a later issue. Future plans, as Sheenan explained, include launching a social-awareness nonprofit  to be funded by magazine sales.
A recession may discourage consumers from spending extra on fair-trade and organic materials versus those available at their local Target or Gap, but Sheehan encourages people to “search out the good from the good-for-now.” Because most clothing is produced at the expense of the environment and workers’ rights, we may voice our concern by choosing wisely and looking beyond seasonal trends. As the pages of Peppermint prove, nothing need be sacrificed to be fair trade and eco-friendly.


Found at indie.com.au



Peppermint Magazine Issue 3 - Art Eco Competition



The theme for Peppermint's Issue Three's Art Eco Competition was "water: every drop counts". The winner, Melissa Meyoko, is an artist based in Berlin. She is obsessed with details, ephemera, memories, dreams and nature, and her artwork for Peppermint Magazine (pictured above left) is "based upon the importance of water in our life, because without this element all could be a big desert".
A runner up is Melbourne artist & designer Nicole Tattersall, whose photo of a heart-shaped rock pool is pictured above right

I'll return to post images - page 89 if you happen to get your fingers on the magazine! Here's an excerpt from Lou's text:
Sophie is preoccupied with weaving the worlds of art and sustainability together... seeing a regenerative motif in seeds...."seeds represent life being generated continually, across time and place... the cycles of things: coming into being and fading away...[it is] a very strong motif for all of life."

Like seeds, Sophie feels that all of us should focus more on what we have the potential to become and about how the earth can grow. Through her art she encourages us all to be ready for courageous reinivention of lifestyles in order to respond to the times - and we agree!

Thank you to both Lou and the forward thinking Peppermint crew...
every success to you... this initiative (and those like it around the planet)set the pace for us all !

Thursday, February 17, 2011

Greenhouse by Joost - at Sydney Harbour for 6 weeks


 "I have designed the restaurant in reverse. I’ve started at the end and worked back. My dream has always been to build a restaurant that creates no waste and now I believe I can achieve it!” – Joost

temporary greenhouse, cafe, bar on the harbourside.
This is a good reason for a trip to Sydney if you ask me.... well ... add in a visit to family, friends and such! I love the fact this is temporary set up. It was set up in Federation Square in Melbourne in early 2009 when I was there for a month so I got to see the earlier version Of this brilliant idea!
I think  should let others do the describing.

Joost Bakker’s Greenhouse opened last Friday. Visit the website for all the news...


When I said harbourside I meant it... that wash is fairly close to the open window
... must be very refreshing sitting there looking out!


He thinks of everything!


Joost on the building site


Joostpost-chairsandpots
a wall of strawberry pots


The David Bromley painting on the shipping containers





artist at work.

Thanks to the support of Design Files who did the most lovely blog post on their site by writing Joost and the Greenhouse a letter today. It was also great to see you on Friday night for a drink and to enjoy our new space.
“Dear JOOST BAKKER,
How do you do it?
How is it that on December 23rd, the Sydney Harbour Foreshore Authority offered you, out of the blue, this amazing location at Circular Quay for one of your world-famousGreenhouse temporary restaurants, and less than 2 months later it is HERE for us all to admire?
How is it that local council seem to turn around approval on all your crazy ideas in a timeframe most architects could not even imagine in their wildest dreams?
How is it that you manage to inspire so many brilliant and super high profile local creative people to be involved (David Bromley, David BandSpacecraftQueen B Candles, Top chefs Jason Chan and Matt Stone, to name only a few) – with little or no lead time at all?
How is it that you rope in support from so many businesses and project sponsors (Framecad, Little CreaturesMiele and many more) without a corporate logo to be seen?
How is it that you manage to get by on about 2 hrs sleep each night, without a wink of grumpiness, red-eye or evidence of energy depletion?
How is it that you inspired this design blogger to travel to Sydney twice in the past month just to see what you’re up to?
I’ve heard from reliable sources that you have Jedi Powers.  I believe it.  You’re AMAZING.
From Lucy ;) ”

THIS TEXT COMES FORM THE GREENHOUSE WEBSITE... ITS A COPY OF THE DESIGN FILES ARTICLE... THESE PHOTS ARE FROM THE WONDERFUL DESIGN FILES AS WELL!

ABOUT JOOST: FROM HIS WEBSITE




Born into a dynasty of Dutch flower growers, Joost is a discipline-crossing creative who constantly draws on his ‘horti-culture’ to make artful commentary on the world’s wasteful ways. Working exclusively with the discard of human activity he has fashioned such extraordinary forms that the word ‘rubbish’ has risen from the scrap heap.Joost has been commissioned to design furniture, vertical gardens and event spaces in his trademark style juxtaposing nature and industry.  In March 2006, Joost set about the construction of a new home for his family, employing a unique building system; a contemporary take on a great sustainable construction method utilising straw bales set into a 100% recyclable steel framework. In 2008, the same building principles were used to construct the firstGreenhouse by Joost’, an exhibition and event space at Melbourne’s Federation Square which was open from November 2008 to January 2009 and attracted 1,000 visitors per day, global media attention from major publications and over 2.5 million viewers on YouTube. A permanent Greenhouse by Joost is currently located on St George’s Terrace in Perth, Western Australia and in 2010 received the Restaurant of the Year in Perth and attracts 800 to 1,000 visitors per day.

OK.... THis you have to read... from here
I have designed the restaurant in reverse. I’ve started at the end and worked back. My dream has always been to build a restaurant that creates no waste and now I believe I can achieve it!” – Joost
Suppliers will only be able to supply fresh produce in returnable Chep crates. Like in Perth, fresh milk will be delivered from the farm straight to us in returnable stainless steel buckets with which we will make our own butter, yoghurt and mozzarella cheese. In Perth we stone grind almost 1 tonne of wheat every week and I anticipate we will use more here in Sydney.
A local wheat grower will provide us with wheat direct from the farm every week, we cut the thread on the bags in such a way that they can be returned and re-used. We will use our Flour Mill to grind the wheat into fresh flour to make bread, pastries, pasta and wood fired pizza. Oats will also be rolled fresh.
All our waste from the kitchen will be organic. This organic waste will be composted on site using a JoraForm in-vessel composter. This will grind and produce 10 litres of compost for every 100 litres of waste. Our  compost will be required to maintain the roof top garden. In Perth this year we have added almost 6000 litres of compost to our roof top garden (that’s 60,000 litres of waste we have composted!) Our cutlery is made from plantation timber and will be composted in the JoraForm, even the baking paper we source from Finland is unbleached and can be processed through the composter.
The rooftop garden is planted in Chep liquid bins that are traditionally used for transporting olive oil. The rooftop bar serves wine from returnable kegs or barrels. The beer will only be available on tap. I have also been working with Mitch from Hepburn Springs Mineral Water. Greenhouse Sydney will be the first to use carbonated water derived straight from the aquifer into kegs. This pure Australian carbonated water will be used to make our own Tonic, Soda and Cola. The house pours of Gin, Rum, Vodka and Whiskey are also Australian made and owned. Mark Douglass (glass artist) will transform the empty bottles into beer glasses as he does now for Greenhouse Perth.
The staff t-shirts designed in collaboration with Space-craft and Joost, re-printed using natural dyes, are overruns of political and business t-shirts salvaged by the Salvation Army.
The Greenhouse Sydney interior walls will be completely clad in MgO board (magnesium oxide board).  Joost has developed MgO board impregnated with Bio-Char so that The Greenhouse can store carbon within its walls! The Greenhouse steel framed walls are filled with straw and its doors and windows recyclable steel framed.
The toilets are Australian made Caroma Dorf, with the sink above the cistern using water from the hand wash to fill the next flush!  Waterless urinals are used and the kitchen and bathroom floors are lined with natural linoleum.
Joost has designed & made chairs out of old aluminium irrigation pipes.  They are incredibly light & have been named Squirt Chair! The leather used for the seats are off-cuts from a saddle makers in Ballarat (Victoria’s last tannery).  Lights have been made from willow trees and rolls of old fencing wire.

Friday, October 15, 2010

look closely....

what could this be?


mmm... curious!


I do like reading about those with funds to do so putting it towards something both inspiring and eco-future oriented!


designed by Make Architects
'

Bolton Council in the United Kingdom may soon see the construction of its first zero-carbon underground home. Designed by Make Architects for green enthusiast and British football star Gary Neville, the one-story, nearly 8,000 sq ft structure has been designed to be beautiful and functional while keeping energy consumption to a minimum. Text and Images from INHABITAT.COM - a lively e-mag exploring Design that will save the world!





interior


Underground Home, Bolton Eco Home, Make Architects, Neville Eco Home, Gary Neville Green House, Gary Neville Teletubby house, Gary Neville Eco House, Zero Energy House, Zero Carbon House, Carbon Neutral House, Earth Berm House, Underground Eco House, Neville Underground green home, green building, green home
proposed site




Far from classification as a drab bunker, this thoughtful design not only considers its eco-impact, but keeps in tune with the tranquil and expansive meadows and hillsides which surround it. The positioning and orientation of the property was carefully thought out, building materials will be locally sourced, and traditional building methods will be used where possible. A ground source heat pump will provide the heating and photovoltaic panels and an on-site wind turbine will generate renewable energy.
Almost all of the home will be constructed into the hillside, which, according to the design firm, “enables the surrounding moorland to seamlessly flow across the roof.” The layout takes the form of a flower, with the “petals” hosting areas to eat, relax, entertain, work and play, all around a central kitchen. When lit at night, the house will leave a distinctive, glowing floral impression on the darkened landscape. Amusingly, some have compared the structure to the famed Teletubby house, which admittedly shares some aesthetic value. However, the architects at Make contend their inspirartion arose from Skara Brae, a neolithic underground settlement in Orkney.

text and images: inhabitat.com

Read more: Gary Neville's Underground Eco Home Blends Into the Earth | Inhabitat - Green Design Will Save the World 

I have added the images below from the cited inspiration for this architecture as I had the great pleasure of visiting this site on the Orkney Islands in 1986. A few of us hired old push bikes and went on a somewhat rainy hike across hill and dale to see what was a most amazing neolithic underground settlement. I did drawings of this place and then of artifacts found here that were housed in the local museum back in the village (if my memory serves me well!).
I found Skara Brae utterly enchanting and could not stop imagining what it would have been like to live here for a longtime afterwards. So very sculptural ... the grass and shape of the earth around the rock walled remains was quite voluptuous in appearance!
 The design above is perhaps missing some of that quality.... still ...an interesting find this morning from Inhabitat.



File:Orkney Skara Brae.jpg
from Wikipedia: Skara Brae






 These images found here at an article on the Prehistoric village of Skara Brae at Phenomenica.

Off to work now...
Ciao!

Wednesday, September 1, 2010



'Rose Window' by Jennifer Cecere (2009)



'Rose Window' by Jennifer Cecere (Socrates Sculpture Park, 2009) 



'Ins & Outs' installation by Jennifer Cecere (Rockland Center for the Arts, 2010)


These three images and story of the artist Jennifer Cecere were found at the wonderful blog of Abigail Doan,  writer, editor, and environemntal artist.

 Quoting the artist Abigail Doan she says of her work:  "My eco-textile and art farming projects are a means to create sustainable solutions and key visual links to the global challenges we collectively face."  Below are artworks of Doan.



THE LAND - an art site. (above and below)





REgeneration / REseeding



Paper Seed Trails.


on another tangent....found through Abigail Doan's blog was the blog: free-soil which had great listings of all kinds of projects and information.... like
12 Sep 2007
Italy
"UNIDEE in Residence is an international residence program open to students and graduates of various university faculties, to artists and to professionals from any country in the world. It operates in synergy with the other Cittadellarte offices 
and is based on the following declaration by the artist Michelangelo Pistoletto: “Art is the most sensitive and comprehensive expression of thought, and the time has come for the artist to assume responsibility for establishing communication between every other human activity, from economics to politics, from science to religion, from education to behaviour, in brief all areas of the social fabric” (Progetto Arte manifesto, 1994 - see the complete pdf version)."

 - I know there's a bit of reading here...but if you dive in you will, I promise, go on a journey of the mind! I love how people are getting energised and no longer waiting for the great "they" to do something.


Logo Ueber Lebenskunst





CALL FOR FUTURE

A call for pioneering initiatives both in and for Berlin
What if there was one more hour in the day … how could we make good use of this 25th hour? The ÜBER LEBENSKUNST project got underway on April 21, 2010 with a global call for groundbreaking ideas that bring together culture and sustainability. The CALL FOR FUTURE was published in 10 languages and is geared towards everyone who wants to take seemingly impossible ideas and turn them into a reality both in and for Berlin - whether individuals, residential communities, citizen initiatives, associations or families. 

The overwhelming response to the CALL FOR FUTURE is evidence that there are already many ideas and models that encourage people to reshape their day-to-day lives and think about the future in their actions. More than 850 local initiatives and individuals – often together with international partners – submitted their project ideas. The applications came from around the world: Paris, London, Barcelona, Helsinki, New York, Lithuania, Australia, Canada, Taiwan, Poland, Mexico, South Africa, Japan, Israel, Hungary, Thailand, ...

ÜBER LEBENSKUNST wants to support these unconventional thinkers, create a network for them to exchange ideas and make them visible to a broad audience. The motto is: Everyone's a part! The more people that get involved, the more exciting the quest for sustainable lifestyles will be and the more likely success is.

An international jury selected 14 projects. These projects will receive both conceptual and financial support of up to €20,000. It is important to ÜBER LEBENSKUNST to firmly anchor these projects in the city itself and give all Berliners the opportunity to see and experience them.

Here are a few initiatives that were chosen to roll out.

POWER THE CITY! DIE STROMAKTIVISTEN
Generate Your Own Power!

Project Holders: Martin Keil, Henrik Mayer / Reinigungsgesellschaft

In a Berlin gym adolescents are given the chance to generate electric power through muscle power which is then fed into the local power grid. The goal is to initiate an open discourse on equal opportunities and equal participation of unprivileged and marginalized young people. At the same time, the project contributes to an alternative power generation.

SOCIAL SEEDS – On Life Diversity in Community Gardens in Berlin
Project Holders: Alexandra Becker, Britta Pichler

Through the cultivation of old, rare and regional useful plants in community gardens in Berlin, new agro-socio-biotopes will be created in which social and biological diversity can thrive.

SUSTAINABLE SUSHI
A Restaurant as Art – On the Politically Correct Interpretation of a Japanese Delicacy 

Project Holders: Max Schumacher / post theater (new yok / berlin / tokyo)

Regional and sustainable sushi will be served in a temporary restaurant. The interrelation between food and ecology will be presented to visitors in a sensual way.


I like the SOCIAL SEEDS one... and not just because of the obvious link to my interests but because I have been musing on the link between bio-diversity and social diversity for some time.


ÜBER LEBENSKUNST also wants to bring the themes of culture and sustainability to schools. TheÜBER LEBENSKUNST.Schule educational program, which was jointly developed with the Future Institute of Berlin's Free University, will prepare 18 selected artists and creative individuals from throughout Germany for their work with students. The 10-month program begins in September 2010.