Showing posts with label dialogue. Show all posts
Showing posts with label dialogue. Show all posts

Thursday, October 17, 2013

Responding to words and ideas that resonate...


Since finding his writing in the mid 90's Ive often picked up a book, poem or quote by Ben Okri and more often than not would discover an idea that resonated or spoke to work I was doing at the time. I've borrowed his words for titles of artwork frequently and painted works where I've included his text.

From Wiki: Ben Okri OBE FRSL (born 15 March 1959) is a Nigerian poet and novelist.[1] Okri is considered one of the foremost African authors in the post-modern and post-colonial traditions[2][3] and has been compared favorably with authors such as Salman Rushdie and Gabriel García Márquez.[4]

This small booklet is an example of employing the text in a visual mode. I loved the way the colour worked against the mat brown paper and the white ink text speaks out of the dark ground. I produced several booklets like this around Xmas and one friend who received this gift found the same deeply effecting quality in his words that I do... so was touched by the potency of word and image!


The pile of artworks on the left are what I worked on earlier this week... 50 watercolour
works on 300gm cotton paper completed as a series in 2 very long sittings!



'Mental Fight', in part inspired by William Blake, was published in London in 1999 excerpts were  featured in the London Times as the new Millennium approached.

I found these excerpts this morning which give you a taste of the work which I have mined on many occasions for the dense material it contains. 


Mental Fight: An anti-spell for the 21st Century
By Ben Okri

A few selected extracts

Already, the future is converging with the past.
Already the world is converging.
The diverse ways of the world
Will create wonderful new forms,
Lovely cultural explosions
In the centuries to come.
Already I sense future forms of art,
Of painting, sculpture, humour,
Already I sense future novels,
Plays, poems, dances.
Already I sense the great orchestras
Of humanity, a world symphony,
A world jam, in which the diverse
Genius of the human race -
It's rich tapestry of differences -
Will combine, weave, heighten,
Harmonise all its varied ways
And bring about a universal flowering
In all the vast numbers of disciplines
And among the unnumbered people.
Already I can hear this distant music
Of the future,
The magic poetry of time,
The distillation of all our different gifts.


Will you be at the harvest,
Among the gatherers of new fruits?
Then you must begin today to remake
Your mental and spiritual world,
And join the warriors and celebrants
Of freedom, realisers of great dreams.


You can't remake the world
Without remaking yourself
Each new era begins within.
It is an inward event,
With unsuspected possibilities
For inner liberation.
We could use it to turn on
Our inward lights.
We could use it to use even the dark
And negative things positively.
We could use the new era
To clean our eyes,
To see the world differently,
To see ourselves more clearly.
Only free people can make a free world.
Infect the world with your light.
Help fulfill the golden prophecies
Press forward the human genius.
Our future is greater than our past.


We are better than that.
We are greater than our despair.
The negative aspects of humanity
Are not the most real and authentic;
The most authentic thing about us
Is our capacity to create, to overcome,
To endure, to transform, to love,
And to be greater than our suffering.
We are best defined by the mystery
That we are still here, and can still rise
Upwards, still create better civilisations,
That we can face our raw realities,
And that we will survive
The greater despair
That the greater future might bring.

From "Mental Fight - an anti-spell for the 21st century", Phoenix House 1999
(Reprinted by the Community Development Resource Association - www.cdra.org.za)


'This epic poem by Booker Prize winner Ben Okri is an intimate song of rage and restoration. It speaks to each new moment and each person, like sunlight or like pain. It is an anthem to our ascending dreams, and a hymn of inspiration.' Google Books





This is not the complete work...  just a few pages!




His words prompt much contemplation...


driving home some big themes we often don't care to think about




Today I was reminded of the still immensely relevant call to us he made around the new Millennium to remake the world with vision and courage for the unknown future coming at us

A friend who works tirelessly as an advocate for the future of a fairer, healthier Food System in this country has been chewing over some big questions... some of which aligns with the work I do through Homage to the Seed ... and some simply because of our common human experience and concerns over the future colliding with the planetary civilisation we've cultivated being so out of step with the limit's of nature. 

I find it critical to have these conversations whether or not others care to.  Just as we don't want a bad news diagnosis from our doctors we don't really want to hear the Science community telling us of the quickening of this ailing planet. I understand the resistance... but will always argue that not responding makes it far worse than the effort to be in the conversation and acting on overwhelming evidence that we must do something. Being in contact with Plant scientists, reading news coming in from all quarters leaves me in no doubt as to the scale of concerns.

"Within my generation, whatever climate we were used to will be a thing of the past." - Nature study lead author Camilo Mora
More here... if you dare!

Quality discussion allows a greater sense of resiliance and connectedness to result than does digging in and turning away from what's ahead. Instead of a dull dread gnawing away somewhat unconsciously it means I get to participate in solutions, in the development of cultural and educational responses that can grow and support change on all levels. 

I feel very much drawn to this as one might be drawn to nurture one's precious child. Its one thing to paint, to be an artist... the much bigger picture that calls me however is a desire to put what I do, as an artist, as a human being, in the service of something far greater than a personal career. 

If all one did was listened to news from Science quarters it could be overwhelming. Mind you there are  scientists who are hugely engaging,  variously involved in tremendously exciting ventures, working in a multitude of ways that can inspire and certainly offer a fresh sense of perspective.

Turning to the poets, the deep explorers of other frontiers of thought is a counterbalance for the science... both are necessary, both matter!



The '50 paintings on cotton paper' series


210 x 100 mm sized 300 gm paper 


they came in a package of 50


Interesting to observe where some work succeeds 
in having a life-force about it... and others do not.


this one seemed to go somewhere else


these paired works offer contradictions




I particularly liked this pairing

and broke out a little below
 introducing the purple here



I spent two long days working on this after most of the previous week's distraction of fighting a virus that really zapped my energy. This painting series was an unleashing of sorts. Listening to Radio National at length, hardly breaking away from the work to push the most out of this simple motif, the limited colour palate and a heightened desire to make really animated small works that could speak for something intangible and strong that was pre-occupying me on some level.

The best result in the making of 50 small works was a growing fluency ... not unlike what it used to feel like after hours practicing at the piano working towards the accomplishment of something more difficult. I liked the brain-work of the exercise... wandering off on tangents of thought or staying very present to the making of compositions, trying out numerous approaches to bring rhythmic variation, spacial depth into the works... or alternatively paring back, reducing down to essences, going linear, delicate, minimal. 


Finally last night I managed to commit to the design for my new business card ...spending hours designing then ordering a series of postcards, business cards and so on in preparation for the upcoming Studio launch which will be held on Saturday November 23rd. If you are in Brisbane that weekend and would like to come along ...watch this space for further info or email for details here.


The card introduces a new departure... I've mused for months on what to call the studio. 

With a plan to build momentum for setting up engagements with others I wish to promote my base as a multi-dimensional work and interactive space. Focusing on Plant Science, dialogue on Biodiversity in eco-systems and cultural terms plus Art concerns and seed + plant collecting I toyed with the idea of the laboratory.

Clearly it communicates an intention to give the exploration of Science space and that is a good place to start for the next phase of my work.. 

Seed.Art.Lab took some getting used to ... and I have had months to consider it... but now as I seetle my mind on where I'm heading it feels like the next stage of a venture whose time has well and truly come. The dialogue between disciplines, knowledge bases, between people of different backgrounds, ages, persuasions and interests is important as never before. 

Rejecting the unfamiliar may be a strong tendency for we humans.... but building the kind of complex 'response-ability' that is critically called for at this time takes courage and willingness to look into the unfamiliar. One approach to the new is quiet considered enthusiasm or I guess run and hide ... I for one will be very excited to attempt to keep the dialogue open and the cross-pollinations richly rewarding in my very new 'laboratory'!

Here goes!

Best to you all who come by and take time to read...  its much appreciated!

Thursday, June 6, 2013

a time for all things...

Firstly ... something so easy to overlook when not spending time here... I want to thank new visitors coming by ... those who have joined the 'Visual Eclectica' community and friends popping back in.

Its been a time of renewing friendships and making new connections lately. The other night when putting together a slideshow about my work and wanting to give some context I dug up some old photos... like the ones below.

I'd just moved from London, via a stay with family for a few months in Brisbane to catch my breath, when I relocated to Melbourne (in south-eastern Australia). It reminded me a little of small version of London... cooler weather during winter and tending to grey days and old buildings in abundance. Culturally very lively too... it seemed to perfect choice for one sad about tearing oneself away from London in the later 1980's.

Going though my photos I was reminded of the living situation I'd chosen... opting for the slightly leafier part of the city that was almost country-like with its proximity to the river, bushland and green spaces. In the first year or two I went often to the river. As I became busier I seem to go further afield exploring. But looking at the photos the other day what struck me was the thought it was almost as if i was choosing a country existance.



musings on my time here...



I loved the wisteria covered greenhouse. The photos I had to take with my iphone from old photos.
There are many more photos that need such documenting as the colour is fading or they look worn.



This shot was taken after a weekly visit to the Vic Market for our produce and deli items, which meant frequent shared tables during this era with people coming and going thought the wonderful old house. This great old kitchen epitomised home for me... especially for a world-weary soul, tired after 2 years of intense travelling and living and working in London. 

I'd had two live-in London placements ...without a work permit, par for the course. However, they were unusual 6 months stints... the first with a family with three bright-eyed little children, the mother of whom was bed-ridden and in treatment for a brain tumour. My role was far more extensive than the job description had advised... the children came to love doing all the arty stuff I set up for them and the family enjoyed the cooking which was a volunteer undertaking as it was an enjoyable task during those long 12 hour days.

The second home the following year after summer travels started well... but the lovely mother of two whom I had taken on cooking and cleaning for to help whilst she recuperated from an operation died on my second week there. Shocked, I later found it had been on the cards and that my arrival and warm relationship with her children had given her faith she had done all she could to prepare for the inevitable. We'd sat on her bed and talked two days before she'd gone to hospital. So philosophical at the time, keen to know my story and see my travel journals... she seemed comforted that I was there...it had only been a week I'd lived there. Which remind me we never know what role we play in someone else's life. By chance it was my unknowing gift to be there at that time.

These two experiences were more critically challenging and informing than much of what I saw in my entire two years abroad. If my life was going to be a response to questions that would invariably arise from time to time then the period living with families in grief dealing with unknown futures certainly made their mark... and ushered in some large questions which needled me till I took time back in Australia to process all that.

So when I say I arrived in Melbourne tired and feeling burdened it was true... yet at this fading grand old house I found a home of the kind I needed for the next 5 years.


There were two spaces to work.... this small corner room with lots of windows was claimed for my studio. All the furniture was already in the house. Next to this room was a long closed in verandah where I could spread out when necessary.



This studio I spent hours upon hours, reading, listening to music and radio, drawing, painting, printing.
Its where I really forged many of the ideas that have since informed my work and evolved further during changes and fresh departures over the years.

Its interesting to look back and make the connections between the desires and hopes of those years and the direction my work took... things that came about much later.




The book "Honey from a weed" is an all time favourite. During the time preparing the slideshow last week i tracked down further articles about this writer's life which I must come back and share here.



As for recent weeks ...its been an unusual time with a trip away for 4 days in Melbourne then for a few days and onto an excellent 4 days spent up the coast at a Conference. Life went from several insular months focused on home-front details around selling our home and finding another. Just as things had fallen into place other things were emerging.

The recent post I did for Rohan was written the week before his passing. This took me south to join with his family and friends in Melbourne to celebrate his well-lived life... shortened at 29 by a heart-wrenchingly tough illness lasting over 8 years... dealing constantly as he did with life-threatening developments in his illness. Friends spoke at the memorial who'd clearly felt the impact of seeing this journey into unknown from their vantage point of wellness and careers unfolding. Profoundly beautiful and articulate speeches for someone they so admired. His family were so gracious and calm through all.
The entire period, staying with another old friend, moving around the city, visiting old familiar spots, was somehow disorienting ... time was liquid... past and present dissolving. It was however so  timely to have made this trip ... to be alongside old friends.

Only home a few days from there my bag was packed to go north to attend an International conference Balance-Unbalanced 2013...


Photo
conference poster

 This poster was of the friday evening event.


Photo: Can't make the whole Balance-Unbalance conference next weekend but want to experience some of our great presenters?  Check out the Pecha Kucha Night program for the evening of 31 May.  Tickets for the evening event, for the one day on Friday or the whole conference are now available.   http://www.balance-unbalance2013.org
Petchakucha evening
The program featured regional and international speakers. Friday's Keynote speakers were both energising and sobering given the nature of this conference to examine how climate science is being negotiated by artists in inter-disciplinary practices with science, ecology and technology.

The fact of it being a smaller group of around 300 people in attendance led to the most amazing conversations happening all over the place. Instead of standing in the corner people were making a point to connect and so tonight just working my way through the papers I picked up with business cards and notes scrawled in my diary.

Somehow the last couple of weeks seems to have converged into a really special time with people... new and old... deeply engagements with others.. and sharing the most poignant range of human experiences.

Its very late and I've not even begun to translate this experience... but I'll say good night! You can read about the artist's talk I gave at the conference at the Studio blog and soon I hope to put together thoughts from the whole weekend. I've tentatively started this at the Homage to the Seed blog yesterday.

Sophie


Wednesday, July 6, 2011

Pecha Kucha ... 'the sound of conversation' in Brisbane tonight

Recently I received an email from Luke Pendergast from Riddel Architecture to see if I was interested in participating in this excellent event tonight. Consequently a yes led to losing some sleep whilst I worked on my 20 slides late last week... how to tell a story in 20 slides speaking for 20 seconds a slide. Well... i liked the minimal nature of this request... the creative challenge of finding maximum potency in a minimum timeframe.
Pecha Kucha Brisbane is an event where any designer, artist, architect, interactive media or alike, are given the soapbox to present their designs, thoughts and ideas.
Format: 20 slides, 20 seconds each, 6 minutes 40 seconds of fame.
Presentations are short, concise, interesting; a platform to inspire and a chance for you to be heard. An informal, licensed event to promote cross-disciplinary collaboration and connections. It will showcase a cross-section of the Brisbane design industry.
Founded by Klein Dytham Architects (KDA) in Tokyo in 2003, Pecha Kucha (Japanese for 'the sound of conversation') has tapped into a demand for a forum in which creative work can be easily and informally shown. It has spread internationally to over 170 cities.

architects - dulux study tour: london, barcelona and copenhagen
interactive architecture
architect + stonemason
visual artist
JACQUE PRIOR
visual designer
architect: a new festival hall
writer / director
public art
illustrator
website    map
20:20    Turbine Hall    Brisbane Powerhouse

Powerhouse
Brisbane Powerhouse


A few slides from tonight!


I wanted to talk about this period of 12 years following leaving home at 18 to study Art when I relocated and travelled a lot... sowed the seeds of what I'm doing now... (terrible pun I know!) so decided to include my useful map of where I've lived... how else to tell a story in 20 seconds?!



Skipping along to last year ... 20 seconds on the art work? I had to pull out a strong idea and tell of that...hence the cross-sections of seed capsules in the rainforest fruits... and the connection to ancient symbols which was a fantastic connection for me!



Why research on seeds in 20 seconds? click to enlarge if you want to read these!



The final image had to leave a strong message .. hope this will do the trick...
So if you're here in this city come along... I'm sure it will be a an interesting evening. There are 9 speakers lined up and with only 6 mins and 40 seconds... not too much time for us to send you to sleep!
...Reading Luke's profile (he is one of three organisers) made me appreciate it takes people with a deep interest in dialogue and the idea of the 'soapbox', as he puts it, to add something like this onto their extra curricular duties. Bravo to the team that put this together!

LUKE PENDERGAST
Architect
Growing up in the Gold Coast’s Hinterland, Luke gained a love for SEQ’s natural landscapes, fauna and climate. Following his first degree from University of Queensland, he studied German and Architecture in Cologne, Germany and worked in the office of Van den Valentyn Architektur. Valuable construction knowledge had been gained through working on construction sites as well as participating in aid work construction projects in PNG. Whilst completing his Bachelor of Architecture at UQ, Luke worked on environmentally sustainable residential projects under the guidance of Graham Davis, tutored timber technology subjects at UQ and his 2007 Thesis concerned Sustainable Public Transport. Luke completed a two year internship at the Department of Public Works Architectural Practice Academy and is now working at Riddel Architecture.
Luke’s interests lie in construction, connectivity, political discourse, design conversation and interdisciplinary collaboration. His fascination with the idea of the “soapbox” and strong belief in an individual’s right to a personal opinion generates his enthusiasm for organising Pecha Kucha Brisbane events.

note: 2 places left with this wonderful group on Saturday!