Showing posts with label artist. Show all posts
Showing posts with label artist. Show all posts

Monday, March 7, 2011

blog love...


Come along for a quick skip around some favourite blogs! But first... I was just reflecting...

Anyone who's visited here before will know its my great pleasure to be inspired in this world by things art-related... but that my inspiration doesn't stop there. Oh no! IMPOSSIBLE!
Its a bit of a story ... less than 3 years ago I bought a Mac... before that I really didn't get the fuss about computers and spent all my time in my studio painting when not working at a day job and being part of the world!
During the relocation to a new city 3 years ago I was laid up with  medical complications that stopped me working flat out for a major length of time (fabulous really!) yet weren't so awful as to stop me having a chance to reinvent my interest in things literary /artistic /philosophical and get to know my Mac!

Well... I got started with this blog...and I had no idea really how it really should take shape. I felt a little shy putting my work up so I gathered that you could post on whatever inspiration you might find ...so I did. From the first that meant serious or whimsical... anywhere on the spectrum was possible... and why not!

Only later did I realise that for many bloggers there was a distinct and definite space being occupied ... unswerving in continuity, content and approach. Mmmm I thought.... is that what I should be doing?

Then I thought of my musical interest in;
polyphony |pəˈlifənē|noun ( pl. -nies) Musicthe style of simultaneously combining a number of parts, each forming an individual melody and harmonizing with each other.• a composition written, played, or sung in this style.• (on an electronic keyboard or synthesizer) the number of notes or voices that can be played simultaneously without loss.ORIGIN early 19th cent.: from Greek poluphōnia, from polu- ‘many’ phōnē ‘sound.’

and also;

contrapuntal |ˌkäntrəˈpəntl|adjective Musicof or in counterpoint.• (of a piece of music) with two or more independent melodic lines.ORIGIN mid 19th cent.: from Italian contrapunto (see counterpoint ) + -al .


... and a gravitation of mine to multiple layering of co-exisiting elements;

multiplicitynounthe multiplicity of species abundance, scores, mass, host, array, variety; range, diversity,heterogeneity, plurality, profusion; informal loads, stacks, heaps, masses, tons; literary myriad.

All these ideas I'd spent the previous 7 years painting in one form or another... Blogging then new (to me) offered a very exciting scaffold for these various ideas and interests... and so this blog became a house with many rooms... a thinking space .. a conversation hub ...a testing ground ... i needed it not to be prescriptive... i had some exploring to do... and this was the place!

In time I created a studio blog to think exclusively about my own work undistracted ... then I ended up with the homage blog a year ago to document the residency project (see navigation: blog top right) and that also extended way beyond strict boundaries of thinking... yet on reflection remained very focused and entirely useful for deepening understanding of the entire world of seeds and biodiversity. It was important that there was room for others in that process... information came from many sources and layers... and was critically useful.

Halfway along last year I scrabbled together a website ... serving a particular aim adequately ... this January, during the Qld floods, I started tumblr blogging which was such a different process and quite good in a whole new way for thinking about/collecting art and ideas... The came twitter which... surprise surprise...is excellent for tracking news on my continuing seeds and biodiversity project...and other stuff!

For the computer dud of 3 years ago it been quite a journey and the time was ripe for it... I still have shocking gaps in computer know-how and waver around thinking about content and direction of these web-vehicles ... but the thing is it has brought the world to me and taken me a little more out into a bigger sense of world...

Often i think ... OK here's a great find... and intend to post links to what I  come across... so forgive me for this. I will just share just a few blogs from the huge list of ones I love to visit...an eclectic range prized for hugely different reasons .. and can I apologise to some lovely bloggers in case they read this... I have some new entries to do on my blog roll...long overdue...so if you're a new follower or blogger... good to have you pop in indeed!


first on the tour... from Melbourne... or is it the country Lucy?


click on puttering along from Nourish me


click on rose salt - rose sugar at nourish me


rose salt
Lucy at Nourish me writes:
Rose salt

Though inordinately proud that for once I have a finished picture of a recipe to share, I'm not convinced that this salt is as good as Silvena Rowe's beautiful Purple Citrus & Sweet Perfume suggests. Good with fish, she says, but I wouldn't go out of my way to make it again. The fragrance improves after a week; prior to that, it has a grassy, earthy smell, one not entirely unpleasant, but not exactly inspiring either. Still blogworthy for its edible use of roses.

Gently pull the petals from 1 large, unsprayed red rose. Wash and dry the petals with care. Using fingers, rub the petals with 2 tblsp of sea salt crystals, keeping things a little chunky. Store in a lidded jar and allow a few days for the flavours to get to know one another. Keeps for at least a couple of weeks at (cool-ish) room temperature.
Best added to dishes at the table.


Dont you love those images above? Thanks Lucy ... whose words are as delicious as her pics! Do take a visit to Nourish me...Lucy has a passion for the garden to table experience which was well nurtured by living in Melbourne for me... to visit Lucy takes me back to my old Studley Park rambling 1928 house and garden rented paradise ... she remindsme of some of the best things about that former time... Big Thanks Lucy!

Skipping continents now! From southern Australia to L.A.  ...and Singapore too actually


corner view


Some of you may have seen my rather quirky post stolen from the NY Times 2 posts back - wackadoo, cheffy bravado"... I came across it just after visiting Passage Paradise: Corner View - My Kitchen Counter and I really thought this reviewer was chanelling my friend over there in LA! Quirky, lovely and a most encouraging blogger many of us have gladly met out there in the sphere! She regularly takes me/us visiting (via her blog) the backstreets of her city, country... and others and can recommend where to eat the best kim-chi or eclairs any old where!I picked this recipe from her blog and the wonderful photo below! Mlle Paradis is an appreciator as well as a creative... in this world of driven creatives it is easy to forget to tell another what we like about their work... we choke sometimes on those important compliments... hold back. Generosity is not a given .... so this Mlle gets my thanks for the smart and witty joy and care she spreads around liberally to all! And can she write a seriously gutsy epistle too!
Big Thanks Mlle Paradis!

 Recipe: Cheaters' Spaghetti
            Take one small enamel pot.  Fill with water and boil.  At boiling point add enough spaghetti for person. (They usually say take a bundle about the diameter of a quarter.)  Break it in half as you desire.

            Let boil till the pasta approaches "al dente".  While it's cooking get out a scant handful of dried mushrooms, rinse and then soak them.  (You could also pop them in the microwave with their soaking h2o very briefly to get them softened.)  Set the mushrooms aside.
             Pour most of the pasta water off, leaving barely enough to cover.  Generously drizzle over a stream of extra virgin olive oil, add a sprinkling of red pepper flakes and grind over some salt and pepper.  Stir in.  Let cook a 1/2 minute to a minute or so over low heat.
             Add leftover canned crushed tomatoes approximating about 1/3 c. (or twice as much volume fresh plum tomatoes if you have some) mixed down with an equal measure of dry vermouth.  Add a generous pinch of dry basil.  Continue cooking.
              Stir in the mushrooms and let cook till soft.  Dig out the truffle oil from the back of your cupboard.  Shave in some nice aged  parmesan cheese to your taste.  Drizzle in a soupcon of truffle oil.  Salt.  Pepper.  Stir.
             Take it to a comfortable seating area and write a blog post!
Three words:  SIMPLE.  QUICK.  YUMMY!!!!  And GREEN!  (It's a one pot dish.)    Buon Appetito!




click here to read All Singapore, All week. EATING from Mlle Paradis

On my mind for sometime to post on has been the gorgeous Ms Mary Zeran of Northern US - Iowa in fact. She slipped into my world last year when I was ridiculously busy... suddenly here was this delightfully warm person leaving comments that made me purr! Mary has been posting on dream studios of late - have a look at this one here.... and on another topic altogether quite hilariously but cleverly at this post:

WEDNESDAY, MARCH 2, 2011

           Candide, Syphilis, Tuberculosis and the Family Dinner table.

Calamaties
acrylic paint, acrylic medium,
vellum, masonite, and fir
12"x12"x2"
30.48 cm x 30.48 cm x 5.08 cm
Mary Zeran 2011


You really must pop over and read that post... its precious... but also thought-provoking! At her other Blog Discovering the world of Art she focuses mainly on the art from her region... the State of Iowa... which for those of us from other parts of the globe is excellent for getting a sense of what happens outside centres like NY, LA etc. Have a look at her post on mixed media/installation artist Joan Webster-Vore here. I was extremely honoured to have Mary include me on this blog as an honorary Iowan in early December. I can only apologise for being so worn out at the time and unable to out this post together then to say thank you! Big Thanks Mary!
Im going to post a studio pic for mary for her blog....





Roald Dahl's writing shed ... and inside Gypsy house...





For some reason my linking facility has just starting mucking up.... cant seem to link you to the great place where I found these 2 images... www.re-nest.com and the post title famous writer's small writing sheds and off-the-grid huts... included Virginia Woolf and Dylan Thomas... Bernard Shaw... jolly annoying my friends! Anyway Mary... they were for your blog post some time!

See if that works... ???

Oh...I did have a few more mentions... I'll have to write part 2 and part 3 I think... so I'll finish with a visit to Germany to Ralf Bohnenkamp who is a wonderful painter who allows us glimpses into his daily studio progress and is most charming to boot!





Ralf is found at r-bohnenkamp.blogspot.com and these excellent studio photos are from a post dated 2011/02 Im-studio. The sensibility of Ralf's work is very particular to his location ...  Artists the world over work along similar lines and with similar materials...and on one level it is hard to distinguish where people are from ... but blogs leave tell-tale signs that websites often do not... and there is the pleasure of different languages... Sometimes Ralf has a small laugh at some words I might use and this makes me smile and wonder...what could it mean to him in German...Oh well... he is always charming! And his site has been most enjoyable to visit over this past year! Thank you Ralf!

I very much enjoy these excursions to places near and far ... travel is not always possible and to blog is to
have a taste of that experience of life beyond. Ill be back for follow up posts to this...
may your week be most productive and enjoyable all!
Sophie x



Monday, June 21, 2010

conversation with Helena: blue sky thinking?

My Photo











I just found the following on a post at The School of Life blog. If you are into reading the likes of Alain de Botton on all sorts of things from everyday life and the not so everyday it might be worth trotting over to this curios blog for a peek at their categories and approach to philosophy. Its very readable ...even  flirting with wisdom for our age ... certainly there's something to chew on. Why I titled the post "conversation with Helena" is that Helena is owner of the gallery where I have some work at the moment and our late night exchange after the opening of the group show ran along lines that I noticed this post picked up on...I recall remarking Joseph Beuys' famous statement "everyone's an artist" needed revisiting...and here Sue Hubbard picks up the thread with "Beuys didn't mean everyone has the potential to be a Picasso."

Cloud3

Blue-sky thinking, finding the inner you; if you look up ‘creativity’ on the internet you’ll be bombarded with sites to help you get in contact with your creative potential. I blame Joseph Beuys, that modern art guru of fat and felt, who claimed “everyone is an artist”.  Now we all feel we have something to say. But do we? Of course Beuys didn’t mean everyone has the potential to be a Picasso.  Motivated by utopian beliefs, culled from Romantic writers such as Novalis and the anthroposophy of Rudolf Steiner, he believed in the power of universal human creativity to bring about revolutionary change.  The psychoanalysts had a slightly different take. Hanna Segal saw art as an expression of the depressive position and the task of the artist as the creation of the world. Great art could be defined by how well it created another reality. In this world the artist mourns for lost relationships and experiences that have given meaning to life. Segal cites Proust who, on meeting some long lost friends, saw how frivolous they’d become. Realizing that his former world no longer existed he set about re-creating that of the dying and the dead. Art, therefore, becomes a form of mourning, where loved ones are given up in the actual world and re-created in an inner one.
Melanie Klein took these ideas further. For her art was a form of reparation for destructive infantile rage against the abandoning mother. While for the psychiatrist Anthony Storr reflective solitude was an essential component.  The cliché that genius is akin to madness is not so far off the mark. Artists, particularly poets, are known to suffer from a high rate of depressive illness. So no, creativity is not about ‘blue-sky thinking’ but about destruction and loss, transformed into art through the arduous creative process.
Sue Hubbard recently published ‘Adventures in Art: selected writings 1990-2010’ (Other Criteria)
OK...so while we are talking about The School of Life have a look at this.... if books have ever been important to you... as in really important...made a difference in fact....then look at this!
Bibliotherapy  
Once upon a time, it was easy to find books you could enjoy and which felt relevant to your life. Now a new book is published every 30 seconds, and you would need 163 lifetimes to get through all the titles offered on Amazon. That’s why The School of Life has set up a bibliotherapy service: the perfect way for you to discover those amazing but often elusive works of literature that can illuminate and even change your life.
 
Make an appointment with one of our bibliotherapists to discuss your reading life – past, present and future. Perhaps you’re looking for a set of travel novels to inspire your next adventure, or you'd like to fathom an aspect of a current relationship through a short collection of essays. Maybe you’re feeling nostalgic and would like to spend six months revisiting classics from your childhood, or you’re seeking change and the opportunity to explore new worlds through a sampling of contemporary literature.

Whatever your concerns, dreams or challenges, we'll take exceptional care and effort to create a reading prescription that's perfect for you.

Our bibliotherapists specialise in works of fiction but also prescribe select works of philosophy, poetry and other creative non-fiction.  They also provide a service for young adults.  Read more here.




NOTE: been very busy planning more things, events and so on... so this is very quick blogging...  see ya!

Saturday, June 19, 2010

What have I here?

After a busy week a slow start this Saturday morning!
Waking up slowly,  looking out on a grey day ...quietly trawling a few saved links from the "in" box.

Oh, by the way, great show opening ...good buzz...almost too crowded to move really. Lots of good conversations though and the quiet and cool night air outside to draw breath. People seemed to really enjoy the show and Ill have some pics soon. Back today for a sitting and chats with people I've invited along!
My warmest gratitude to all well-wishers and locally to those who came along and were most responsive. Special thank you to Nicola! And to the lovely organisers - Thank you and well done!!
Many commented they would return at a quiet time for a viewing - a wise move as last night did not allow for that! More soon!

So...what have I here?

First up - from Container list - the blog of the Milton Glaser Design Study Centre and archives comes Dada, explained.




MILTON GLASER COLLECTION, BOX 112 FOLDER 24. PUSH PIN GRAPHIC, UNDATED.
Here’s an ironic instructional piece from early Push Pin Studios member John Alcorn. A highly accomplished designer and illustrator, Alcorn also designed the opening titles for several Fellini films.



I need to find the info on this one which I saved a while ago...its from this same blog!

As is this curious one below.
Quoting from the post Alan Fletcher's "Feedback" :

Starting in 1976, Alan Fletcher, a founder of Pentagram Partners London, began publishing an informal guidebook to interesting places to eat and stay around the world. Contributions were solicited from artists and designers, and compiled into sections organized by region, perfect-bound and fitted in a hard plastic outer binder. In the first edition, type was roughly formatted in Courier and there was no contents or index — the 1979 version expanded the range and gave the publication a more familiar Pentagram gloss, with Caslon set in a tight typographic grid.








THE HENRY WOLF COLLECTION, BOX 15. PENTAGRAM’S FEEDBACK 1976, MORE FEEDBACK 1979, ANOTHER FEEDBACK 1986, AND FEEDBACK 1992 AND 1996.
The contributors were an impressive bunch, counting among them Saul Bass, R. O. Blechman, Wim Crouwel, Rudolph de Harak, Lou Dorfsman, Bob Gill, Sheila Hicks, David Hockney, Armin Hofmann, Walter Landor, Herb Lubalin, Josef Müller-Brockman, and Maximo Vignelli in the first issue. Many of the designers whose archives we maintain — Ivan Chermayeff, Tom Geismar, Seymour Chwast, Milton Glaser, George Tscherny, Henry Wolf — also contributed.
Here we have David Hockney's contribution;




From Olivier Mourge, Paris, designer followed by London film-maker Bob Gill;




Pentagram is still putting out Feedback:


Image of Pentagram Feedback

Feedback—now in its 8th edition—is a guide to interesting places around the world with contributions from colleagues and friends.
(1974-present)


This reminds me I have a wonderful book by Alan Fletcher still packed away. I particularly loved the idea of these personal anecdotes as a guide to places to visit. I guess blogging and the web provide this in buckets - but there is something particularly appealing about the idea of reading the recommendations of - say Hockney - to some out of the way place.

'Matisse as Printmaker' is a title from Pentagram;

Matisse02_sm.jpg


Matisse03_sm.jpg


Matisse05_sm.jpg

more on this one later....
DLWBk_Cover_350.jpg

Time to head off to the gallery...
ciao!

Thursday, June 10, 2010

"the world is alive, I could feel it"





I have this image of myself reaching up, 2009

The words in the title of this post were found at the top of Amy Wilson's website almost hidden in the  lush water-colour painted leaves. This website is a delight to visit - I'm drawn to world's created by those who dare to conceive an independant system of thought or visual response to their world. It is less important for me the genre, the format, the 'style'of work, the materials employed that whether there is a rich core to the work ...what is being plumbed in order to produce and offer something to the viewer.
...this is why my own blog is by nature so eclectic  -  it simply gives me space to log the many and various things that absorb my attention...whether in passing, or in an altogether more intense and lingering way.

Now to the splendidly original Amy Wilson... the  reason I am posting here today. See Amy's blog too!




I am thinking of the blurring of the space between things, 2009



I am thinking of having a million choices, 2009-2010


I thought endlessly about creating a place to hide, 2008


we walked along the edge of the river, 2007


IT TAKES TIME TO TURN A SPACE AROUND....


It Takes Time To Turn A Space Around, 2010, is a 10” x 280” seven panel drawing by Amy Wilson that was commissioned for her first public project. The 150’ outdoor installation is currently on view in lower Manhattan’s West Thames Park and is part of the Downtown Alliance’s Re: Construction Program.

Working from the artist’s original drawing, a printed exterior grade vinyl banner was created and secured to a portion of construction fencing which surrounds a future park and playground.  Wilson’s image is one of her iconic girls fixing up a field by cutting down old growth and weeds and planting flowers and trees.

Although Wilson’s work normally contains handwritten text, the installation at West Thames is a version in which no text exists. At the gallery this month we are exhibiting the final version, which incorporates the narrative taken from stories and observations about the artist’s life.



amy_wilson


wilson_amy_publicart

THIS PROJECT IS SPONSORED BY BRAVIN LEE PROGRAMS:


It Takes Time To Turn A Space Around, 2010, is a 10” x 280” seven panel drawing by Amy Wilson that was commissioned for her first public project. The 150’ outdoor installation is currently on view in lower Manhattan’s West Thames Park and is part of the Downtown Alliance’s Re: Construction Program.

Working from the artist’s original drawing, a printed exterior grade vinyl banner was created and secured to a portion of construction fencing which surrounds a future park and playground.  Wilson’s image is one of her iconic girls fixing up a field by cutting down old growth and weeds and planting flowers and trees.

Although Wilson’s work normally contains handwritten text, the installation at West Thames is a version in which no text exists. At the gallery this month we are exhibiting the final version, which incorporates the narrative taken from stories and observations about the artist’s life.


BravinLee programs are sponsoring this event


BravinLee programs opened in the spring of 2006 with a commitment to drawings and works on paper. After 15 years of having a "traditional" gallery Bravin and Lee have chosen to specialize. BravinLee programs will privilege and concentrate on this single complex and beautiful art form.
BravinLee programs will work with emerging, as well as established artists. Strong working relationships with other dealers is crucial to their program. The gallery looks forward to mounting simultaneous exhibitions with their colleagues and offering a platform for artists to exhibit their works on paper. In addition to project oriented exhibitions they also represent several artists and act as their primary gallery.

POST SCRIPT:

NB:  It was lovely to her from the artist herself. I found a certain point of connection with one of Australia's most well known cartoonist's, Michael Leunig, who is also a painter and printmaker among other things. He has also brought controversy to bear on certain subjects a times...much can be found at via Google about he and his work or visit his website .
Amy Wilson's work is hardly not in the same vein - but there is an interest in human vulnerability and what makes people feel certain things that I think is running parallel. And for this reason I think it is important - what is being voiced and depicted is of substance and does in fact matter!














Illustration: Michael Leunig



Leunig quoted Debuffet in an article - Love in the Milky Way in The Melbourne Age Newspaper 2 years ago:


Jean Dubuffet once said a fascinating thing about the world of art and I trust he would forgive me if I applied his words to human society:
"They outdo themselves celebrating a sham art in order to stifle true art. This stifling is the task of the public authorities of culture in well-governed nations. When the pompous platforms of culture are erected, and awards and laurels come raining down, then flee as fast as you can, there'll be little hope for art."
Well ......Lets celebrate diversity of views, of art making, of ways of being as Mlle Paradis did so well in this post last week!
And I'll leave you with this image from her post... Thanks MP!