Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Tuesday, January 11, 2011

an opal-hearted country, a wilful, lavish land



Mt Warning - a memorable landmark which can be seen from the Pacific Hwy  - was barely visible yesterday driving along in heavy rain


Arriving home last night around 6pm from a 5 days getaway (driving about in continual rain whilst staying on the north coast of NSW) meant I caught the news and was aghast to hear of the most tragic developments in the Queensland floods yet. Sudden and profoundly damaging flash floods had hit the area inland from Brisbane and this morning we are learning of the numbers of missing people and loss that came with it.
Our State's Premier Anna Bligh appeared shaken this morning when presenting current facts on the news... as if stripped to her most human level of being ... nothing of the practiced politician was evident. One saw the gravity she's been hit with. Politics washed away for the moment and utter humanity in its place. There is that mood here at present. It can be a little hard to think of much else. We who feel safe cant help but wonder at this time... 
I went down to my local shops on Racecourse road and chatted to various people... everyone very sad for the loss of life. One wonders about contributing.... giving money yes.. but what else helps I pondered... Lots to think on.


One thing that did come to mind were the words used in the post title..."a wilful, lavish land" ... a line from the very well-loved populist verse "My Country" written by Dorothea Mackeller .
From Wikipedia"My Country" is an iconic patriotic poem about Australia, written by Dorothea Mackellar (1885-1968) at the age of 19 while homesick in England. After travelling through Europe extensively with her father during her teenage years she started writing the poem in London in 1904[1] and re-wrote it several times before her return to Sydney. The poem was first published in the London Spectator in 1908 under the title "Core of My Heart". It was reprinted in many Australian newspapers, quickly becoming well known and establishing Mackellar as a poet.

first draft
The poet
Dorothea Mackellar OBE
A poetess, and third generation Australian who loved Australia and the Australian countryside. She is best remembered for her poem, "My Country", with the immortal line


"I love a sunburnt country"



Dorothea Mackellar


The love of field and coppice,
Of green and shaded lanes.
Of ordered woods and gardens
Is running in your veins,
Strong love of grey-blue distance
Brown streams and soft dim skies
I know but cannot share it,
My love is otherwise.

I love a sunburnt country,
A land of sweeping plains,
Of ragged mountain ranges,
Of droughts and flooding rains.
I love her far horizons,
I love her jewel-sea,
Her beauty and her terror -
The wide brown land for me!

A stark white ring-barked forest
All tragic to the moon,
The sapphire-misted mountains,
The hot gold hush of noon.
Green tangle of the brushes,
Where lithe lianas coil,
And orchids deck the tree-tops
And ferns the warm dark soil.

Core of my heart, my country!
Her pitiless blue sky,
When sick at heart, around us,
We see the cattle die -
But then the grey clouds gather,
And we can bless again
The drumming of an army,
The steady, soaking rain.

Core of my heart, my country!
Land of the Rainbow Gold,
For flood and fire and famine,
She pays us back threefold -
Over the thirsty paddocks,
Watch, after many days,
The filmy veil of greenness
That thickens as we gaze.

An opal-hearted country,
A wilful, lavish land -
All you who have not loved her,
You will not understand -
Though earth holds many splendours,
Wherever I may die,
I know to what brown country
My homing thoughts will fly.


Dorothea Mackellar

We learnt this poem as primary school children ...so it is etched into the minds of generations of children in this country and is perhaps been a key foundation in a young person's forming of an active, imaginative, understanding of what it means to live in a place with very particular and harsh weather patterns. Many have ended up in cities and the coast of this land... not keen to settle the interior which can be seen as inhospitable and very remote.... yet right now we are reminded even the places that have been advertised as easy-living environemnts ..."sunny one day, gorgeous the next"... can become inhospitable in certain circumstances.


I remember reading the Jill Ker Conway book below years ago and feeling the intensity of the isolated life of a childhood on a western NSW sheep farm... and the part that the vagaries of nature played in it... namely drought for the most part. Indigenous people are said to have lived here for 60,000 years and one of the distinctive aspects of their culture is the fact they lived entirely 'at one' with the circumstances unique to this continent ... the kinds of extremes Mackellar talks about in 'My Country'  and that play a part in the Ker Conway story (which I very much loved).

The indigenous take on the weather patterns of this land are known to be very complex ... demonstrating a highly attuned understanding of the possible extremes and shifts in climate - with vocabulary that could define rain, for example, into various different kinds of phenomena. As a child growing up on a river town we used to talk of 'Flood rain" ... I imagine the indigenous familiarity with their regions would have known considerable distinguishing features to help them observe what was occurring.


click here to read more






the authors childhood home
 Literature, poetry and history are all there to remind us of those parts of the human experience that we may well fear and loathe and with good reason.... that we may well be forcefully subjected to. The universal thing is that we all at some point are brought close to shocking events - they come in many guises - and we have to find ways to come to terms with them... come what may!  

My mind drifts to the Pakistan floods of last year. Here there are measures to catch people falling through the cracks... some people will still fall through... maybe no insurance ... no access to the resources to get back on their feet. That does happen. But when one thinks of Pakistan... their safety net is not what it is here. Its very humbling... whichever way you look at it!

    
I trawled this site for images earlier! History reminds us we've been here before!

Flood Fire Famine Virtual Exhibition


Core of my heart, my country!
Land of the Rainbow Gold,
For flood and fire and famine,
She pays us back threefold.


My Country, Dorothea Mackellar

In this famous ode to her adopted country written in 1908, Dorothea Mackellar successfully captures the spirit of Australians battling a hostile environment.
Australia is a land of harsh climatic extremes – several series held at Queensland State Archives document the havoc caused by flood, fire and famine in Queensland. The records also reveal attempts by successive governments to prevent, or at least mitigate the devastation wrecked by unpredictable weather patterns and the forces of nature.



Photograph taken from New Farm toward Boundary Street with the St. Paul's Presbyterian Church on the right.

Men in boats near the Oriental Mills Building in Brisbane. The water level is thigh high on the man in the centre of the photograph.

Photograph taken during the Brisbane flood of 1974.

Campbell Street

Friday, September 3, 2010

The next few days...








Read about this event on at the moment in Brisbane if there's a chance you can get along to the State Library between now and Sunday! Click here!!!!

from the program on Saturday afternoon....


Robert Forster writes what he sees around 
him: Brisbane. Matthew Condon writes of 
the city of his youth: Brisbane. The family 
memoirs of William McInnes reflect his home 
town: Brisbane. Matt Howard, especially 
chosen for his self-described ignorance of all 
things Brisbane, leads the debate on writing 
Brisbane as character. 
Tickets $16 qtix 
Presented by ourbrisbane.com 
     


from the Robert Forster Website.


Looking up the Festival program I found these wonderful images at the CITY OF SOUND blog of the venue for the Writers festival.... The Queensland State Library



Slq1
Looking form GoMA

Slq2
entrance

Slq_knowledgewalk1
open interior

Slq_walk1
breezeway

Slq_walk2
breezeway

Slq_atrium
interior: looking up 

Slq_atrium_knowledgewalk
interior: looking across from the 4th floor
Slq_verandah3_2
looking to river

Slq_verandah2_2
typical queensland look...tree next to verandah


Slq_boxonstilts
looking from river -there's the Glass Box reading room!

Slq_verandah_2
verandah looking across freeway


Redbox2
Glass box reading room


Redbox1
Reading room looking down river


Slq_corridor
4th floor...gallery area


Slq_joinery
verandah looking to river walkway


Slq_firepit
stone fire pit... leading out of indigenous knowledge centre


Goma

looking across to GoMA - Gallery of Modern Art 

Slq_showercurtain1
gigantic patterend screen


Slq_showercurtain2
known to staff as "The shower curtain"


Slq_infozone_laptops
ground floor computer area


Slq_wifi
breezeway wi-fi


Slq_cafe
external section of cafe with overhanging roof and no walls - great in sub-tropical rain


Please go to the website post for excellent text and more photos. This building won awards for its design... and each time I'm there it wins me over... 

Principal Architect Timothy Hill of Donovan Hill is quoted here: SLQ website:
“‘The design is all about creating an open space which, unlike many public buildings of the past, is neither intimidating nor conventional. I want visitors to be able to look inside without having to go in. People are more comfortable if they can visit a few times and see what’s there without having to actually go in.’
“Hill says that the biggest compliment that could be made about his building is if people feel that it’s the kind of place they could meet for a date."
‘The new State Library is deliberately ambiguous so that people can find in it something that they can recognise from their point of view. I didn’t want to make an icon. An icon is just a symbol. I hope that people can know before they come here that they are welcome, and that it is open-ended about what you do there. That will be the best way for it to become a favourite. Libraries are social, community and wmeeting places, as well as learning centres. I think we have achieved all this and more.’” [Timothy Hill, Donovan Hill]

Monday, December 14, 2009

A recent find and another recently rediscovered




UPDATED POST: 10.9 13:

Just found all the images by artist E J Hauser I'd posted were missing so have deleted links I'm sorry.

EJHauser is a painter whose work I came across through Dear Ada tonight from a post on Dec 8, 09. Dear Ada consistently provides interesting leads which can be pursued in order to discover more on the artist featured. EJHauser will have a new website it looks like - it would be great to glean more of this artist's work and background.

Now for something worlds apart that I wanted to share before i forgot!


I happened to watch an ABC TV documentary on Australian artist  Elizabeth Durack just last week.  Born 1915 she lived to 2000 and spent formative years in the western Australian Kimberley landscape in a lively family with pioneering grandfather Patrick Durack immortalised in her sister Mary Durack's book 'Kings in Grass Castles'. Her sensibility was described as part australian, irish and aboriginal. Certainly her childhood was unusual for the times given the close interactions of daily life with the indigenous people who were part of their lives. She and her sister Mary wrote and illustrated books from early times together. The documentary honors the sweep of this remarkable woman's life - someone who found herself going where others didn't. Below are some works from an excellent website set up quite recently providing a glimpse of the panorama that was her life!


Mt Bagara, an active volcano, and up the road to the mine.






War and peace  1947, painted when Durack was based at Ivanhoe station , East Kimberley, WA





No images available at this time of the Eddie Burrup paintings. Please Note... the website for this artist is presently unavailable _ Sophie: noted January 2010!

John McDonald art critic for the Sydney Morning Herald wrote in 1997 that "her Eddie Burrup paintings represent an extraordinary creative leap for an artist in the twilight of her career...they sum up a lifetime's experience with Aboriginal people and have been made with consummate skill...they may yet be accepted as some of Elizabeth Durack's most important and original works".
Despite the fact she was the centre of great controversy over the identity of the Eddie Burrup works it would be a grave mistake to overlook her enormous legacy to the cultural heritage of Australia - long before it was fashionable she was challenging perceptions of this land and its people. A great overview on her website is well worth a look!



Monday, June 1, 2009

Charleston Farm House



This was found at the blog of Vanya, a Kiwi living in London...well worth looking up...especially for this gorgeous post of the famous home and meeting place of the writers, painters, intellectuals known as the Bloomsbury Group. The interior was painted by the artists Duncan Grant and vanessa Bell. Also refer to www.charleston.org.uk    for some wonderful details.




the studio

 



the drawing room



clive bell's study




library


spare bedroom window



the lady of the lake...sculpture by Vanessa Bell