Tuesday, June 14, 2011

what's cooking at your place?


Its winter here... OK... there's no snow. I admit our winter's are hardly worth a wimper ... but we still think about soups, keeping warm enough and avoiding runny noses and worse! What I dont like about winter is that I have to wear shoes!

I stayed at friends on the weekend up on the range (Great Dividing Range as its known - extending along the entire eastern side of Australia). My friends assured me it can get a lot colder up there than here... yet its only 2 hours west. It was wonderful sitting in front of their fire... and it seemed a million miles away forn the very green urban environment I wake up to each day.

I didn't get enough photos of their views... nor have I downloaded what I took... so stay tuned I hope for some decent pics from weekend!

muffin-cups-7042
image: Sabra Krock - I'm afraid I've never used
such fancy things as this  But I did like the photo
... it does spell out that baking is on the cards!
Plus I'm into blues and browns at the moment 
Why these photos you ask? Well... lots of home cooking where I was on the weekend... people who bake from scratch...  Thats always particularly nice in Winter. But thats a whole other story. 


muffins-7082
Sabra Krock


anyone got one of these?

Now this is more like something I would get around to cooking! I'm a fan of quinoa. of green food, particularly herbs. I found this at "a billion tastes and tunes" blog.... the recipe for Quinoa Tabouli was adapted from a Moosewood book... simple ingredients... looks good to me!


Quinoa Tabouli

1 cup raw quinoa
2 cups water
1/4 teaspoon salt
1 teaspoon dried mint or 
1 tablespoon chopped fresh mint
4 scallions
5 garlic cloves
2 or 3 bunches fresh parsley 
3 or 4 tablespoons lemon juice
1 1/2 tablespoons olive oil
salt and ground black pepper




I just noticed these images below at two posts at the same blog called "they draw and cook..." ... any of you draw and cook... I find the camera every now and then to record something but I must admit its been awhile since I drew something I've prepared for the table.




A Well-Salted Salad with a Little Vinegar and Good Olive Oil by Bozena Wojtaszek. This one is all textile and thread!   NOTE: Text and link from the blog!








Chickpea Dip by Sali Swindell.


Whilst posting this I thought of the wonderful Janis at Paintbox who delights us with her take on things around San Francisco where she hails from  ... and her drawings... like this one. Posted May 17...  its missing a title hence link to that actual post...   so just visit the blog and you'll find it and many other treasures! - May, 2011... 17th.



A sketchbook drawing inspired by Francesca's post on making tea
with fresh jasmine blossoms.
* Note from Janis


And I'll finish with this from the also clever and lovely  Sanne van Windon in the Netherlands whom I was delighted to see had a post at Bloesem on her wonderful work last week.



"Last week was about flowers and melon gazpacho, really nice on a summer evening". Sanne's text!



Sanne


Sanne


Images from the Bloesem blog story : Art in your home : Sanne van Windon






Sanne van Winden is a Dutch illustrator and pattern designer , who graduated at the Royal Academy of Art in the Hague at the fashion&textile design department. You can find her colorful portfolio right here, read her journal here and visit her etsy shop right here. I also love her designs over at Envelop
{in the image below, Bedcover  by Beddinghouse} Text from Bloesem!
7

well busy week... must run!

Ive just booked at seat at the local Slow Food evening "the History of the Pie" ... after the talk we apparently partake and the warning is... dont eat beforehand! I can't promise drawings... but I'll try and take photos!

Art and food do go together so well don't you think?

The Slow Food manifesto:  SLOW Food began when delegates from 15 countries gathered in France and endorsed this manifesto, written by founding member Folco Portinari, on 9 November 1989... Read more here.

Saturday, June 11, 2011

colour reverie...


In the last month or two time for painting has been slim due to competing factors. Rather than not paint at all I took all pressure away from the valuable time I did find for paint ...  suspending need for outcomes  instead I was led purely by feeling my way through some nebulous interior space. 

Ever sensitive to the pull of the inner it was such a delicious breathing out after last year's haste and deadlines. This way of painting I am much more at home with... even though it's not a good match for the contemporary notion of "getting on with it". Too many exterior demands and motivations kill painting for me ... I really do prefer to give the ideas time to surface... and I need to work repetatively with impulses to make them part of my vocabulary or language... a way has to be found into the rhythm that works ... quite simply.

What I present here then is some of the contents from this most uncontructed time ... essential reveries in certain colour realms.


 close-up section




painting on a humble canvas board 25 x 25 cm



the next are a series on 20 x 20 cm canvas boards... 














These are also on canvas boards below - 20 x 20 cm. They were started however about a year ago when I sat and painted stripes on these boards as a kind of meditation... they were simply colour exercises on the one hand...in another way they were wordless colour poems. I often work with colour in this way... putting down colour stories that I need to inhabit ... like being in a certain kind of room for a while!
These striped boards I pulled out the other night very late and proceeded to add the layers of oval forms ...like capsules with the spaces in which to glimpse what exists beyond.















Here I've returned to another preoccupation ... painting with a syringe which of course, if you've tried it, is absolutely frantic... the paint tends to come out so quickly and haphazardly that it's an effort indeed to control the flow of paint... Its taking me rather a long time to even work out what I think of this technique... what I might do with it.



close-up of work with 2 layers of line work. Try clicking to see more closely the effect.




I became rather engaged in the colours of this work ... a different direction to what I generally work with.





untitled  60 x 60 cm  acrylic and ink on linen


Below are two works in a similar vein ... meditating on seeds ...
breaking the surface up with this horizontil line ... an impulse
that is purely intinctive.


Untitled  40x 40 cm acrylic and ink on paper on canvas




Untitled, 60 x 60 cm - pigmented ink and acrylic on linen

The last one a canvas 120 cm x 40 cm ... pure whimsy... unfinished ... unresolved ...awkward ... the colours speaking to my uncomprehending mind asking for attention. Really... it was enough just to put down what I had and walk away... leave it for later when maybe it will speak to me. Its definitely still in its gawky adolescent stage!






The camera works ... the downloading mechanism is quite mystifying though... Ive not figured it out properly at all. Not to worry ... Im just glad that I got this far ... loaded up some work. Yeah! Its late... gotta go! Before I do... talking about colour. I have workshops coming up soon which I have written about at the other blogs and put on the sidebar to link you to the details if you'd like to know more.
Visit the homage blog here to read about it!
Ciao,
Enjoy the weekend you all! Its a long weekend here. Driving up the mountain Sunday... with my camera!

Tuesday, June 7, 2011

stripes... loosely interpreted


etceterablog:

Hugh Scott-DouglasPanel PaintingWhite Gesso & Aniline Dye Bleen on Linen
Hugh Scott-Douglas
Panel Painting
White Gesso & Aniline Dye Bleen on Linen




Rome    Crosswalk with People and Bird     Jack Barnosky
When in Rome I could not walk easily. I was awaiting a knee replacement operation. I had to walk with a cane! Since I was not very mobile I had to find a likely spot to make photographs and just wait. What I discovered was that the world and its wonders was quite willing to come to me. It was different and new. A bit scary. It changed me. Made me rethink my aesthetic philosophy. I believe, with modesty, that this experience made my photography richer with more , oh I guess the word is poetry.







burythisbone:

Australian Aboriginal artist Doreen Reed Nakamarra - Untitled

Australian Aboriginal artist Doreen Reed Nakamarra - Untitled


fullbloom:

verdantdruid:

tobia:

Marcel Odenbach (German, born 1953)You Can’t See the Forest for the Trees2003.
Cut-and-pasted printed paper, cut-and-pasted colored paper, ink, and pencil on two pieces of paper, 85 3/4 x 117 3/4” (217.8 x 299.1 cm). The Judith Rothschild Foundation Contemporary Drawings Collection Gift. © 2009 Marcel Odenbach / Artists Rights Society (ARS), New York / VG Bild-Kunst, Germany
Close up: 
Images & Information via katiephoto:

Marcel Odenbach (German, born 1953)
You Can’t See the Forest for the Trees
2003.


tumbleword:

Eric Wendel, EXTRA MEDIUM VERSION, 2009, 54 x 66 inches, oil and glitter on canvas
BOMBLOG

Eric Wendel, EXTRA MEDIUM VERSION, 2009, 54 x 66 inches, oil and glitter on canvas


defacedbook:

Remo Albert Alig
Fine Books Have a Purpose, Gold 2005
Sunlight on Paper
(14cm x 20.5cm)

defacedbook:  Remo Albert Alig Fine Books Have a Purpose, Gold 2005
Sunlight on Paper (14cm x 20.5cm


Laetiticus




referenceartgallery:

Joan Saló
Untitled  2010 (detail)
pen on canvas

referenceartgalleryJoan Saló Untitled  2010 (detail) pen on canvas



Peter Doig
jntquigley:(via nachtschattenfresser, sewerscape)




glovaskicom:

Botanical #4, oil transfer drawing, Doug Glovaski 2007

glovaskicom: Botanical #4, oil transfer drawing, Doug Glovaski 2007



sandres:

korut:

dmocba:

xsxtxaxtxixcxsxhxoxxx:

plphny:




(via s31415)
20100220-1, algorithmic composition.
                              Algorithmic artwork by Samuel Monnier. More algorithmic art here..



20090727-1, algorithmic composition. Click for a zoomable image.

20090727-1, algorithmic composition.

OK... this is an indulgence... no stripes here... just like it!



20040313, algorithmic composition. Click for a zoomable image.
20040313, algorithmic composition.




arsvitaest:

Barbara Bernreider
(via kinokinos, allthatshines & plphny)



isaac-lonetree:

Abstract: Light Waves as Though Sound (by russell.tomlin)



sunfishdesign:

Frank Sinatra Conducts Tone Poems of Color Designed by Saul Bass circa 1956

sunfishdesignFrank Sinatra Conducts Tone Poems of Color Designed by Saul Bass circa 1956



iheartloons:

Paul Klee. Double Tent. 1923. Water color and pencil on paper. 50.6 x 31.8 cm. Private Collection. © 1999 VG Bild Kunst Artists Rights Society (ARS), New York.
Paul Klee. Double Tent. 1923. Water color and pencil on paper. 50.6 x 31.8 cm.
Private Collection. © 1999 VG Bild Kunst Artists Rights Society (ARS), New York.



unrealityart:

-xerces:

apex-nadir: pin-peyeh-obe:reblololo: GEORGE TJAPANANGKA, Two Men At Wallatu, 1987, born 1938
reblololo: GEORGE TJAPANANGKA, Two Men At Wallatu, 1987, born 1938



everythingdear:

Emily Kame Kngwarreye, Yam dreaming body paint
Emily Kame Kngwarreye, Yam dreaming body paint




reblololo:

crashinglybeautiful:

 
David Bolduc “Cold Water”, 2008 oil on board, 30 x 36 in.

crashinglybeautiful:       David Bolduc “Cold Water”, 2008 oil on board, 30 x 36 in.


rerylikes:

Pierre Soulages. Peinture 222x137 cm, 3 février 1990. Huile sur toile
Pierre SoulagesPeinture 222x137 cm, 3 février 1990. Huile sur toile




freakyfauna:

Liebe Mutti…by Harald Stoffers

freakyfauna: Liebe Mutti… by Harald Stoffers


(via mtrt, boyhair-deactivated20110123)
(via mtrtboyhair-deactivated20110123)




everythingdear:

Kuru Ala, 2007by Maringka BakerPitjantjatjara people
everythingdearKuru Ala, 2007 by Maringka Baker, Pitjantjatjara people




room269:

halslife:

margueritemoulin:

bookspaperscissors:

littleg:

vintagecottagefrench:

(via foreverxmay16th)
bookspaperscissors:



houseofartanddesign:

Call and response collaboration
by flatfile 

houseofartanddesign: Call and response collaboration by flatfile 

well.... I said it was a loose interpretation of stripes... all images from archives at my tumblr: Seed capsules

Had an excellent weekend... the WED sustainability event was a success all round. You can read a little about that at the Homage blog. Rather tired still so taking the simple posting option of plundering the archives... a little visual is a good start to the day before tackling "THe Must-do List". 
Ciao all!